October 2026
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Birmingham

Iolanthe by Gilbert & Sullivan
launch night on Tuesday 6th October Performance: Friday 12th - Sunday 14th March 2027
We're off to fairyland for our next full production, which (as I'm sure you've already guessed) will be Iolanthe. The dates for your diary are Friday 12th - Sunday 14th March 2027, and the show will be at our longstanding home, the Old Rep in Birmingham.
We've noticed that many people now seem to prefer matinee performances, so we have one evening show on the Friday, and matinees on the Saturday and Sunday. If you think you might like to experience the show from the other side of the orchestra pit, why not come along to our launch night on Tuesday 6th October? There will be an introduction to the story and an opportunity to sing it through (and tea, coffee and biscuits!) You can just come along on the night, but if you have any queries, please email info@birminghamsavoyards.org.uk
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Posted 18/09/2026
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Posted 31/07/2026
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Eldorado Musical Productions
www.eldoradomusicalproductions.co.uk         
Eltham, London

The Witches of Eastwick
LAUNCH NIGHT Weds 14th Oct 2026 FILM NIGHT Weds 21st Oct DANCE AUDITIONS Weds 28th Oct AUDITIONS 2nd Nov Performance: 17 - 20 March 2027 7:15pm Sat Mat 2:30pm
Audition information here.
The Witches of Eastwick tells the tale of the people of the little town of Eastwick. Everyone knows everything about everyone else, and the indomitable Felicia Gabriel presides over it. Bored and fed up with their small town lives, three women--Alexandra (Alex), Sukie, and Jane--share a desire for "all manner of man in one man" to provide excitement and variety. That man arrives, literally in a flash, in the devil-like form of Darryl Van Horne. Darryl seduces the women and teaches them powers, which they never knew they had. Scandalized by the carefree foursome, Felicia and the women of the town vow to clean up the "Dirty Laundry" that is disrupting their peaceful setup. As Darryl's powers over Alex, Jane, and Sukie become more powerful, the three women start to consider that their wild, lustful relationship with Darryl is more sinister and dangerous than they realized. After Felicia and her husband, Clive, die as a result of the witches' curse, the women vow to have nothing more to do with Darryl. When Darryl tries to take over the rest of the town and marry Felicia and Clive's orphaned daughter Jennifer, they realize that they must use their newly discovered powers to get rid of him once and for all.
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Posted 16/10/2026
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Banbury Cross Players
www.banburycrossplayers.org.uk         
St Hugh's Church Hall in Banbury

Till the Stars Come Down, by Beth Steel
Read-through: Thursday 29th October 2026 at 7.30pm Auditions will take place on Thursday 5th November from 7.30pm Rehearsals begin 22nd November - Monday & Wednesday evenings and one Sunday a month (27 rehearsals in total, all lines learnt by January) Performances will take place 25-27th February 2027 You will be required to be available for the entirety of show week (21-27th February 2027) for technical and dress rehearsals prior to the performances
Banbury Cross Players are delighted to announce an upcoming read-through and auditions for their February 2027 production, Till the Stars Come Down, by Beth Steel, directed by Chrissie Garrett. Read on to learn more!
This is a passionate, down-to-earth family drama, with all the intrigues, relationships, secrets and confrontations that happen in every family. Set in Mansfield, a former pit town in Nottinghamshire, the local community has seen a large Eastern European population arrive, alongside the closure of the pits, leading to tensions in the town. The audience is a fly-on-the-wall; watching one family on a summer's day as they gather to welcome a newcomer into their midst. It is the wedding of Sylvia - the family's youngest sister - to Marek, a Polish man, who is welcomed into the family reluctantly. Sylvia is one of a trio of sisters, and these woman are all forces of nature. From Maggie and Hazel, the other two sisters, to their fantastically-gobby Aunt Carol. You feel part of the wedding, investing in the characters and their emotional lives. These characters are larger-than-life, bouncing to life before the audience in pain, joy and laughter. The fathers, uncles and love interests are all off-stage at first, while the women get ready for the big day. They drink Buck's Fizz whilst they bitch about everyone else. The sisters' mother is dead and their father, Tony, is embroiled in a rift of many decades with his brother, Pete. There are bursts of music, drunken disorder, betrayal, intrigues, and shocks alongside the dull pain of everyday marital compromise. In terms of staging, this will be very simple, and in the round - so the audience feel they are part of the family and the developments taking place - everything will be staged within a players' chalked circle, of sorts. CHARACTERS - 9 total, ages between early 20s-75 Tony - 75 years (Male) A widower and ex-pit worker with early onset dementia/mild cognitive problems. In need of care. Down to earth - he has lived in Mansfield all his life. Hazel - early 40s (Female) Eldest daughter of the family, married for 20 years to John. She is going through a dreadful lack of self-confidence, and feels John no longer loves or fancies her. She's fed up with working all hours with no money and is struggling to manage her teenage daughter, Leanne. Maggie - mid-30s (Female) Middle daughter of the family. Married 4 times to 3 different husbands. In love with John, Hazel's husband. Has been away from Mansfield for over a year and it's not clear why. Passionate and secretive, Maggie feels very much the outsider to the rest of the family - the three sisters used to be incredibly close, and now Maggie is apart from them. Sylvia - early 20s (Female) The youngest of the three sisters. Sylvia is about to get married to Marek, a Polish immigrant. She is very much in love, excited and very caring - all she wants is her family around her and the sisters reunited. Sylvia has put on quite a lot of weight recently and won't fit into her wedding dress! Marek - late 20s/early 30s (Male) About the same age as Sylvia, Marek is a Polish immigrant who has been in the UK a number of years. He is totally in love with Sylvia but is finding it difficult to cope with the racism and anti-Polish sentiments displayed by the family. John - early 40s (Male) Hazel's husband - they have been married for 20 years. John has been out of work for 3 months and is bitter and angry and lacks self-confidence. He thinks he is worthless because he has no job. He is in love with Maggie. Leanne - age 16 years (Female) This is a combined role (of the characters of Sarah and Leanne). John and Hazel's daughter, Leanne is a typical stroppy teenager. Aunt Carol - 65-70 years (Female) Sister-in-Law to Tony, married to Pete for a long, long time, with whom she has a love/hate relationship. Very much a vibrant, larger-than-life character - uses very coarse language! Uncle Pete - 65-70 years (Male) Married to Carol, and Tony's brother. Has fallen out with Tony but no-one knows why. It becomes apparent, however, that when the other pit workers went on strike, Pete continued to work - he's therefore seen as a "scab". If you cannot make the audition date, but would like the opportunity to audition, please email the Director Chrissie Garrett at chrissiegarrett111150@gmail.com.
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Posted 24/10/2026
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September 2026
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Posted 14/08/2026
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Posted 28/08/2026
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Posted 31/07/2026
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Queensbridge Musical Theatre Society - QMTS

www.qmts.co.uk         
Kings Heath Cricket Club, Kings Heath, Birmingham

ANYTHING GOES!
Thursday 3rd September from 7:30pm
Everyone is welcome, whether you're a seasoned performer or completely new to the stage. We're particularly on the lookout for strong male performers to help us set sail on this fantastic production! Come along, meet the team, find out more, and get excited for what promises to be a first-class voyage. Who's coming along?
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Posted 17/08/2026
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Posted 20/08/2026
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Garden Suburb Theatre
www.gardensuburbtheatre.org.uk      
Hampstead Garden Suburb Free Church Hall, Northway, London NW11 6PB

A Murder is Announced by Agatha Christie Adapted for the stage by Leslie Darbon
Sunday 6th September at 7.00pm Performances: 26th - 29th Nov 2026
THE PLAY A Murder is Announced is a dramatisation of Agatha Christie's novel of the same name. Set in the living-room of Miss Blacklock's house in Chipping Cleghorn in the early 1950s, it follows on from an announcement in the local paper of a murder that will take place the same evening in that very house. The plot is satisfyingly twisty and turny and there is an ensemble of interesting characters, not least among them Miss Marple herself.
THE AUDITION If you can't make the audition on Sunday 6th September, please email us at amurderisannounced@gardensuburbtheatre.org.uk and we will try to arrange an alternative opportunity, although it may be via Zoom. Audition pieces will be available soon on the GST website: www.gardensuburbtheatre.org.uk/audition-murder-announced Audition - A Murder is Announced - Garden Suburb Theatre It may be possible to borrow a copy of the play to read. Please email the address above to enquire.
REHEARSALS Rehearsals will take place on two weekday evenings and Sunday afternoons, at the Free Church Hall and in the Free Church itself, starting the week beginning 28th September.
SHOW WEEK FROM 22nd NOVEMBER WILL LOOK LIKE THIS: Sunday - final rehearsal and beginning of get-in Monday daytime - get-in (cast only attend if feasible) Monday evening - technical rehearsal Tuesday evening - dress run Wednesday evening - dress run Thursday evening - first performance Friday evening - second performance Saturday evening - third performance Sunday matinee - fourth performance and then set strike.
THE SMALL PRINT You do not have to be a member to audition, but if you are cast you will need to join in order to perform. Further information about membership can be found https://us.list-manage.com/BtXQ3Z0QjKU?e=f47db50e97&c2id=a60c5e7d4d01247edb4269d816851430 here. Before auditioning, please ensure you are available for the whole of the show week as described above. All cast and crew should be willing to support the success of the show in other ways, including helping to build/paint the set and/or with marketing and publicity etc.
Audition registration form
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Posted 21/08/2026
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The Bob Hope Theatre Actors' Company
www.bobhopetheatre.co.uk/   
BOB HOPE THEATRE, Wythfield Road, Eltham, London SE9 5TG
SNOW QUEEN Our 2027 Pantomime
Auditions Sunday 6th September 2026 - 10am - 1pm Monday and Tuesday 7th/8th September 2026 7.30pm - 10pm Performance Dates (16 performances) January 1st - 23rd 2027 Fridays at 7.30pm; Saturdays at 2pm and 5.30pm; Sundays at 3pm Relaxed Performance on January 17th at 11am
Click here for full Audition Notice and Character Details Click here for more information on forthcoming productions and auditions here
Find Audition Pieces here:
Audition pieces:
Robber Girl & Gerda
Granny, Disney Lawyers
Hook & Smee
Kai & Adult Chorus
Rumpel, T-Bag, T-Shirt
Queen & Kai
Spring WItch, Urchin, Red
Summer, Princess, Gerda, Chorus
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Posted 27/08/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

The Flint Street Nativity By Tim Firth
Audition one: 06 Sep 2026 10:00 - 12:30 Audition two: 07 Sep 2026 20:00 - 22:00
The Flint Street Nativity is a warm, witty and joyful festive comedy packed with twisted Christmas carols, in which adults brilliantly recreate the triumphs, tantrums and tiny dramas of a group of seven-year-olds preparing their school nativity.
Casting and setting
All roles are dual, with each performer playing first (and most importantly) a 7-8 year old child and in the final act, a parent. We are therefore looking for the ability to create distinct characters and an observance of the way children of that age group conduct themselves.
Although the play text indicates that it could have its references updated and indeed be adapted to the area in which it is to be performed, so much of the character and charm of the writing of the piece comes from both a northern geography and an early 2000s setting, that the intention is to be as true to the original as possible, first staged in LIVERPOOL in 2006. For all roles except potentially Frankincense, we will therefore be seeking an appropriate regional accent. (But accent coaching can be provided!)
Whilst being set and staged at Christmas, including music (carols essentially) and a great deal of humour, the play is not a pantomime and we are not seeking exaggerated or caricature performances. The writer states, "Never has the word 'deadpan' been more apposite than when describing the comedy of children. They are never aware of their humour in this play. The less funny they find it, the funnier it will be."
We are not looking for musical performers, but it is useful if most of the cast can carry a tune as they deliver important nuance and exposition via the contorted words to all the well-known Christmas carols.
THIS PLAY IS FUN!
Director: Guy Jones & Jason Salmon
Performances: 9 - 19 Dec 2026
First Rehearsal: 27 Sep 2026
Characters:
Innkeeper - The Mischief-Maker: MALE - Boldly confident, imaginative and socially dominant - The one that 'dares ya!' Doubles as Innkeeper's Dad, the local Mayor. (An avuncular pub landlord) Playing age: 20s-50
Mary - The Girly Swot: FEMALE - A slave to every letter of the teacher's instructions, which can make her bossy, but she's well-intentioned and sweet. Doubles as Mary's Mum (An older version full of regretted compliance) Playing age: c.40
Wise Gold - The Bluffer: FEMALE - Outwardly confident and comically certain; inwardly vulnerable, loyal and more compassionate than she initially appears. Doubles as Wise Gold's Mum (A self-absorbed, bingo-obsessed woman) Playing age: 20s-50
Shepherd - The Truth-Teller: FEMALE - Grounded, observant and bluntly practical. She questions claims, spots inconsistencies and punctures pretension. Doubles as Shepherd's Mum (An older version keen to keep her husband grounded) Playing age: 20s-50
Gabriel - The Princess: FEMALE - Socially powerful, watchful and ruthlessly controlling - the self-appointed enforcer of who is, and isn't, speaking to whom. Doubles as Gabriel's Mum (An older version - bit of an insecure bitch) Playing age: 20s-30s
Star of Bethlehem - The Boffin: MALE - Intensely knowledgeable, literal and gloriously single-minded - he is the expert who will correct everyone, whether they asked or not. Doubles as Star's "Dad" (A fiercely enthusiastic wannabe parent) Playing age: 20s-30s
Angel - The Follower: FEMALE, SOUTH ASIAN - She takes her cues from stronger personalities, fears exclusion and prioritises belonging - even when resentment and hurt occasionally break through. Doubles as Angel's Mum (A more confident and together version, caught in an intense rivalry with an unseen Mrs Vorbani) Playing age: 20s-50
Narrator - The Perfectionist: MALE - Earnest, conscientious and quietly anxious - desperate to get every word right and make a distant father proud. Doubles as Narrator's Dad (Proud, but at a distance due to family tension) Playing age: 20s-50
Herod/Joseph - The Fantasist: MALE - A sports-obsessed dreamer, heroically confident inside his private games but liable to crumble when faced with a real audience. Doubles as Herod's Dad (A somewhat detached workaholic) Playing age: 20s-50
Wise Frankincense - The Outsider: MALE - A self-conscious newcomer, painfully aware of his speech impediment and determined to preserve his dignity while trying to find his place in the group. Playing age: 20s-50
Ass - The Innocent: MALE - An uninhibited, socially unfiltered misfit who tries hard to join in, says whatever enters his head and remains remarkably cheerful despite being overlooked by the others. Playing age: 20s-50s
Audition process
Auditions will be a fun and inclusive group exercise, with physical and vocal warm-ups and a singing element through which you will be guided. Please ensure you have at least familiarised yourself with the audition pieces available below for the role(s) in which you're interested. There is no requirement for any other preparation however - no lines need be learnt off book (unless you really want to impress!)
Please note the LIVERPOOL regional accent and singing ideals stated above. Coaching will be available on the accents and a musical director has been appointed, but if accents and singing aren't your thing at all, please only consider Wise Frankincense. (Who will still have to sing)
Successful auditionees may be invited to a callback session on 13 September, 10:00 - 12:00.
Availability
Please check your availability carefully before applying. All performers must be available for all scheduled rehearsals and performances, including rehearsals taking place within the "work Christmas do period."
In particular, successful performers will need to be available:
Up to and including 20 December (For the get-out)
From 27 September onwards
Rehearsals will be:
Table-read Date TBC
Sun 27 Sep - 10:00 - 12:30
Mon 28 Sep - 20:00 - 22:00
Sun 4 October - 16:45 - 20:15
THEREAFTER:
Wednesdays - 20:00 - 22:00
Fridays - 20:00 - 22:00
Sundays - 16:45 - 20:15
Please only apply if you can commit to the full rehearsal and performance schedule with the most limited of exceptions. We will ask you to confirm your availability as part of the audition registration process.
For more information and to register for a place at audition,
GO TO THE REGISTRATION PAGE HERE (opens in a new window).
Please only email the director if the information you seek is not contained in the above.
The Director
Download Audition Pieces
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Posted 31/08/2026
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Posted 02/09/2026
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Posted 04/07/2026
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Posted 10/09/2026
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Spot on Productions
www.spot-on-productions.co.uk         
Studio Solutions, Chickenhall Lane SO50 6RP

Snow White
Auditions are Sunday 13th September from 4pm
Exact timings, further details about the show, along with show dates, audition and cast fee requirements, and what needs to be prepared for each character can be found in our launch presentation pack here: Snow White Launch Presentation
Thanks to everyone who came along to our launch! We hope you're as excited as we are for this show!
If you couldn't make it, but would like to audition, or didn't complete a form please do complete our interest form so we have an indication of who will be there on the day, and what characters people are interested in: Snow White Interest Form
All of the required audition material can be found in our Google Drive here: Snow White Audition Pack
Please make sure you are familiar with the material prior to the auditions. The speaking audition pieces have been named for all of the different characters. Please note that in one of the sides, Avarice is called Old Lady. Both pieces will be used for auditions. There is one dance and one song for everyone auditioning. Please choose the harmony for your vocal type. There are backing tracks in the folder to help you learn this.
The dance audition videos are also there. These will enable you to learn the routine prior to the day. You should aim to dance this with a strong sense of technique, rhythm and performance. Performance quality, including use of face is key here.
Please do not hesitate to get in touch if you have any questions, and we look forward to seeing you all on Sunday!
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Posted 08/09/2026
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Acting Up
     
Morden Parish Hall, Morden in Surrey

The Big Bad Wolf
14th Sept 2026 7pm
Welcome to Bigby's Diner, where great food and good friends are always on the menu! But when the greedy Donald Maci-Dees arrives with plans to build a fast-food empire, he'll stop at nothing to steal Bigby's secret recipe and take over the restaurant. With the help of the magical Fairy Lux, the ever-chaotic Jenny, loyal Trev, and a cast of colourful characters, Bigby's daughter Bee Bee must find the confidence to stand up for what she believes in and save the diner before it's too late. Packed with comedy, catchy songs, audience participation and plenty of pantomime magic, The Big Bad Wolf is a fun-filled family adventure about friendship, courage and following your dreams.
Audition information Audition Pack We do ask that those who audition can commit to the rehearsal and show dates. If you are unable to make the audition date but would still like to be part of the show or have any extra requirements, contact the team via our facebook page or audition form.
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Posted 20/08/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Till the Stars Come Down By Beth Steel
Audition one: 19 Sep 2026 18:30 - 31:15 Audition two: 20 Sep 2026 10:00 - 22:15
Beth Steel's Till the Stars Come Down is set at a wedding in Nottingham and follows one family over a single, increasingly chaotic day. It is funny, affectionate and sharply observed, exploring family, class, love, loyalty, masculinity, changing communities and what happens when the past refuses to stay in the past.
Casting and setting
Till the Stars Come Down is specifically rooted in Nottingham, and its characters belong to a traditional working-class family and community.
The play's exploration of the decline and fragmentation of traditional working-class communities, including the legacy of the miners' strike, changing employment, generational differences and questions of belonging is central to the story. We therefore want the casting to authentically reflect the social and cultural world Beth Steel has created.
This is not intended as a blanket exclusion of performers; rather, for these particular family roles, authentic representation of the world of the play is an important part of our casting process.
We particularly welcome actors who have a genuine connection to the area in which it is set or similar working-class communities and who understand the humour, rhythms and lived experience that underpin the play. For the role of Marek, we would like to cast someone who is Polish or of Polish heritage.
Director: Charlotte Benstead
Performances: 11 - 16 Jan 2027
First Rehearsal: 18 Oct 2026
Characters:
Hazel: Female - Playing age: late 30s-40s - The eldest of the three sisters and the person who keeps the family machinery running. Hazel is practical, capable and fiercely loyal, but she is also exhausted from carrying everyone else's problems. She has a sharp sense of humour and a strong moral compass, although the pressures of family life have left her with plenty of frustrations of her own.
Maggie: Female - Playing age: 35-45 - Maggie is the middle sister. Maggie is warm, funny, impulsive and capable of causing absolute havoc without necessarily intending to. She is someone who wants more from life and isn't always very good at thinking through the consequences of getting it.
Sylvia: Female - Playing age: 25-30 - The youngest of the three sisters and the bride at the centre of the day's celebrations. Sylvia is excited, romantic and determined to enjoy her wedding, but beneath the celebration she is navigating the complicated dynamics of her family.
John: Male - Playing age: 40s - Hazel's husband. John is currently out of work and is struggling with his sense of purpose and place within the family. He is not a stereotypical villain: he is funny, complicated, vulnerable and capable of making very poor decisions.
Tony: Male - Playing age: Late 60s-70s - Sylvia, Hazel and Maggie's father. Widowed, Tony is the older generation at the heart of the family and has lived through a very different Nottingham. He carries the history of the family and of the community in which his daughters grew up.
Peter: Male - Playing age: mid 60s-70 - Tony's brother and Sylvia, Hazel and Maggie's uncle. Peter is married to Aunty Carol. He and Tony have been estranged since the miners' strike in the 1980s, leaving decades of resentment and unfinished business between the brothers.
Aunty Carol: Female - Playing age: 60-70 - Peter's wife and an important part of the wider family. Carol is warm, practical and perceptive, with a good instinct for what is really going on beneath the surface.
Marek: Male - Playing age: 30-40 - Sylvia's fiancé. Marek is Polish and has made a life for himself in Nottingham. He is loving, hardworking and committed to Sylvia, but is entering a family whose history, arguments and loyalties are far more complicated than he could have anticipated.
Leanne: Female - Playing age: 15-18 - Hazel and John's daughter. Leanne is a teenager with a sharp eye for the adults around her. She is funny, observant and increasingly aware that the grown-ups' lives are considerably more complicated than they would like their children to believe.
Sarah: Female - Playing age: 8-11 - This role will be cast from our existing Youth Group membership. No external applicants will be considered.
Audition process
Because Till the Stars Come Down is rooted so strongly in North Notts/South Yorks, authentic and convincing regional accents are an important part of our production.
First Stage - We will be booking 10-minute slots for each auditionee between 6.30pm-9.15pm on 19th September or 10am-12.15pm on Sunday 20th September.
Please prepare one of the 4 speeches using the link below.
At this stage we will also consider whether your playing age is appropriate for the role you are interested in. Selected performers will be invited to an in-person audition that will take place on Sunday 27th September from 10am.
We appreciate that accents can be developed and coached, but performers should be able to demonstrate a convincing starting point at the initial audition. Authenticity, naturalism and consistency are particularly important for this production.
Please check your availability carefully before applying. All performers must be available for all scheduled rehearsals and performances, including rehearsals taking place around the Christmas period.
In particular, successful performers will need to be available:
Up to and including 20 December
From 3 January onwards
There will be a break over Christmas and New Year, but the production will require performers to return promptly for rehearsals from 3 January. Please only apply if you can commit to the full rehearsal and performance schedule. We will ask you to confirm your availability as part of the audition process.
Our rehearsal schedule is 8pm Tuesday/Thursdays and Sundays at 1pm
Rehearsals will commence on 18th October with a readthrough the week before to be determined.
For more information, detailed character breakdowns, and to register for a place at audition,
GO TO THE REGISTRATION PAGE HERE (opens in a new window).
Please only email the director if the information you seek is not contained in the above.
Email The Director
Download Audition Pieces
Read more....
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Posted 31/08/2026
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Posted 14/08/2026
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Posted 16/09/2026
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August 2026
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Posted 14/05/2026
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Posted 04/07/2026
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The Nomads
www.nomadtheatre.com      
The Nomad Theatre , Bishopsmead Parade, East Horsley, KT246RT
Dick Whittington by Ben Crocker
Auditions: Mon 20 July at 7.30pm and Tues 4 Aug at 7.30pm at The Nomad Theatre , Bishopsmead Parade, East Horsley, KT246RT Performances: Tues 8th to Sat 12 December
If you are interested but cannot make it please email Moyra on chairman@nomadtheatre.com and we will arrange to see you on another date. As well as the main characters we need lots of chorus. So join Dick and his cat as they seek to make their fortune and foil the dastardly King Rat! Expect toe tapping songs, laughs galore and loads of audience participation in this much loved rags to riches story of derring do, crazy comedy and true love.
Characters: King Rat (The Baddie), Fairy Bowbells (The Cockney Goodie), Tommy The Cat (Silent), Alderman Fitzwarren, Alice Fitzwarren (Principal Girl), Idle Jack (Lovelorn and Lazy), Dick Whittington (Principal Boy) Sarah The Cook(Warm hearted Dame), Captain Horatio Fitzwarren (Alderman's identical twin), The Empress of Morocco Chorus: Citizens, Rats, Sailors, Guards, Palace Attendants
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Posted 18/07/2026
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Posted 02/08/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Beyond Therapy By Christopher Durang
Audition one: 05 Aug 2026 20:00 - 22:00 Audition two: 07 Aug 2026 20:00 - 22:00
Beyond Therapy is a farcical comedy focusing on two singletons seeking romantic relationships with the help of their psychiatrists, each of whom suggests their patient place a personal ad in the newspaper. What could go wrong?
Performances: 13 - 17 Oct 2026 First Rehearsal: 16 Aug 2026 Characters: Bruce - Male - Early-Mid 30s: Our leading man but definitely not in the traditional sense! Bruce is in therapy and he's an impulsive, emotional divorcee with no filter looking for love. Did I mention that he has been living with his male lover, Bob, for a year now? That hasn't stopped him putting an ad out in the paper where he meets Prudence. Prudence - Female - 29-32: Our leading lady who is a well-established journalist, cat-loving independent woman looking for her next step under the unhelpful guidance of her psychologist Dr. Stuart. Prudence is a reserved woman but alas a closeted romantic who doesn't really know what she wants, but is brave enough to give anything a go. Stuart - Male - Mid 30s: AKA Dr. Stuart Framingham. AKA Prudence's psychologist. AKA Prudence's ex 'hook up'. Stuart is one of the lads, very masculine and could even be described as a bit of a bully - but alas we all need his brutal honesty sometimes. Charlotte - Female - Late 30s-Early 40s: Mrs. Charlotte Wallace is Bruce's unconventional, erratic therapist who works with alternative methods. This is a high-energy role and can be likened to Shakespeare's Fool - she is the speaker of the truth Bob - Male - Mid 20s: Lovely Bob has been living with Bruce for 1 year and he is an incredibly passionate but protective man. A complete Mama's Boy but alas, head over heels for Bruce and will do what it takes to stay with him. Think of a combo of Robin Williams and Nathan Lane in 'The Birdcage' Andrew - Male - Mid-Early 20s : Andrew seems to be only waiter at the Restaurant. He too is a patient of Mrs. Wallace so has his issues, but he's young, fun and rides a motorbike - gorgeous. For more more information, and to register for a place at audition, GO TO THE REGISTRATION PAGE HERE (opens in a new window). Audition materials and further info will be sent via email to those registered a few days before the audition date. Please, only email the director if the information you seek is not contained in the above. indiedwa@gmail.com Email The Director
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Posted 21/07/2026
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Posted 06/07/2026
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Posted 21/07/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Things I Know To Be True By Andrew Bovell
Audition one: 15 Aug 2026 16:00 - 18:00 Audition two: 16 Aug 2026 10:00 - 12:00
NOTE: AUDITIONS FOR BEN, PIP & ROSIE ARE FULLY SUBSCRIBED and no further audition slots are available for these specific roles. OTHER ROLES STILL OPEN. This play is about family. Bob and Fran have been married for more than 30 years, and have four grown-up children who all (currently) live close by. Their home has seen them through many of life's ups and downs, and as they start thinking about a new phase of their lives, they also try to cling on to their children who are desperate for new starts of their own. These characters all need to realistically look like a biological nuclear family, and I'm very open to creating that family from different ethnic groups with multiracial combinations that represent our society today. Therefore, I strongly encourage those from global majority backgrounds to audition. Director: Stephen Hayward
Performances: 24 - 28 Nov 2026 First Rehearsal: 13 Sep 2026 Characters: Bob: Male - early 60s - retrenched factory worker. Worked hard all his life and loves his family. Is struggling to adapt to the changes that are happening around him. Fran: Female - late 50s/early 60s - experienced nurse. Practical, responsible, jumps into action as soon as she sees a problem, even if it's not always the best course of action. Pip: AUDITIONS CLOSED FOR THIS ROLE - Female - early 30s - works for the Department of Education. Ambitious and headstrong, but is it time for her to follow her heart rather than her responsibilities? Singing ability would be a bonus. Mark/Mia: 30ish - works in IT. Mark is discovering that they are trans-female and ends the play as Mia. You will need to be comfortable and sensitive with this journey. Trans actors are very much encouraged to apply for this role. Ben: AUDITIONS CLOSED FOR THIS ROLE - Male - late 20s - One of the lads. Or at least he wants to be. Feels the pressure to succeed and maybe goes too far with it. Rosie: AUDITIONS CLOSED FOR THIS ROLE - Female - late teens - doesn't know who she is or what she wants to be yet. In the play she experiences a lot of things for the first time, but her love for her family remains true throughout. Must be 18+ to apply.
For more more information, and to register for a place at audition, GO TO THE REGISTRATION PAGE HERE (opens in a new window). Please only email the director if the information you seek is not contained in the above. Email The Director
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Posted 11/08/2026
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Posted 14/08/2026
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July 2026
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Posted 15/06/2026
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Posted 30/06/2026
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Posted 21/06/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

They Promised Her the Moon By Laurel Ollstein
Audition one: 05 Jul 2026 10:00 - 12:00 Audition two: 06 Jul 2026 20:00 - 22:00
Based on real people and events, They Promised Her the Moon traces the life of Geraldyn (Jerrie) Cobb. After NASA selected its first astronauts, Jerrie Cobb was one of a group of women pilots who took part in the same selection tests. In Act I, Jerrie is in an isolation tank overseen by Dr Randy Lovelace, the scientist who devised the tests, and Jackie Cochran, an award-winning pilot who is sponsoring the women's testing programme. During her nearly 10 hours in the tank (the men only managed 4 hours at most), Jerrie's memories of her life up to this point take shape. In Act II, Jerrie has to come to terms with the media attention before the programme is abruptly cancelled. A Congressional hearing follows to consider whether NASA's selection process was discriminatory. John Glenn - fresh from being the first American into orbit - and, surprisingly, Jackie Cochran, jealous that she was too old to be considered as an astronaut and that she didn't get the attention she felt she deserved - both testified that it was unnecessary to include women in the space programme. After confronting Jackie and coming to terms with her disappointment, Jerrie goes to Brazil to fly medical supplies to remote communities. The play deals with issues of gender stereotyping that was common in the early 1960s. You, and modern audiences, may find some of the language in the play unacceptable, but the playwright has used verbatim news reports and the Congressional transcript.
Director: Craig Norman Performances: 3 - 7 Nov 2026 First Rehearsal: 23 Aug 2026 Characters: Jerrie Cobb: F, the main action of the play takes place in the early 1960s when Jerrie is in her late 20s/early 30s, but we also see her from the age of 7 through to her late 40s. Jackie Cochran: F, in her mid-50s, but we also see her in her 30s Dr Randy Lovelace: M, mid-50s Helena: F, Jerrie's mother, 40s/50s Harvey: M, Jerrie's father, 40s/50s Jack Ford/John Glenn: M, , 30s As we see Jerrie, and to a lesser extent Jackie, at various ages throughout the play, and there are smaller parts that will be doubled by the actors playing Randy, Helena, Harvey and Jack; what I'm mainly looking for is versatility. American accents will be required, but full coaching can be provided. Due to the scheduling of other shows, our first 4 rehearsals will be Sunday, 23 August at 10:00, Monday 24 August at 20:00, Sunday 30 August at 10:00 and Monday 31 August at 20:00. From Sunday 6 September, our regular rehearsal pattern will be Sundays at 16:45 and Wednesdays and Fridays at 20:00. COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot. Please only email the director if the information you require is not included there. Email The Director
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Posted 21/06/2026
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Posted 15/06/2026
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Archway Theatre (The)
archwaytheatre.co.uk               
The Archway Theatre, The Drive, RH6 7NQ Horley

The Monkey's Paw and other stories (adaptation of the classic short story by W.W. Jacobs)
12 July 7:00pm - 9:00pm
Do you fancy acting in a haunting, atmospheric drama? We are delighted to invite performers to audition for our upcoming production of The Monkey's Paw (and other stories). A haunting and atmospheric drama, The Monkey's Paw tells the story of the White family, whose quiet domestic life is upended when they receive a mysterious talisman said to grant three wishes. As curiosity gives way to desire, each wish brings unforeseen and devastating consequences. Blending suspense, psychological tension, and the supernatural, this adaptation explores fate, grief, and the terrifying cost of trying to control the unknown.
Roles Available We are casting for 4 main roles, plus a storyteller/narrator and 3-4 devising ensemble roles. Principal Characters Mr White (Male, 50-70) Curious and impulsive. A warm, affectionate father whose fascination with the unknown leads to devastating consequences. Mrs White (Female, 50-70) Loving and practical, with strong emotional depth. Her arc moves from warmth to grief and desperation. Herbert White (Male, 20-30) Playful, light-hearted and witty. His teasing nature contrasts with the darker events that unfold. Sergeant-Major Morris (Male, 40-60) World-weary and authoritative. Brings a sense of foreboding with stories of his travels and the cursed object. Additional Roles Storyteller / Narrator (Any gender, 18+) Guides the audience through the story, setting tone and atmosphere. Strong presence and storytelling ability essential. Devising Ensemble (3-4 roles) (Any gender, 18+) These roles will be collaboratively developed, drawing on stories from the history of the theatre. Previous devising or ensemble experience is desirable Performers should be open to physical theatre, improvisation, and collaborative creation Rehearsal & Performance Dates Rehearsal schedule: To be confirmed - availability will be discussed at audition Performances: 15-17 October Please ensure you are available for all performance dates We are looking to hold evening performances: 15 and 16, 2 performances on 17 - an early evening and a late night performance. What to Prepare Auditions may include a cold reading from the script Devising ensemble candidates may also take part in a short group workshop How to Attend No need to book - just come along on the evening. If you have any questions in advance, please get in touch with Caroline on Roles Available We are casting for 4 main roles, plus a storyteller/narrator and 3-4 devising ensemble roles. Principal Characters Mr White (Male, 50-70) Curious and impulsive. A warm, affectionate father whose fascination with the unknown leads to devastating consequences. Mrs White (Female, 50-70) Loving and practical, with strong emotional depth. Her arc moves from warmth to grief and desperation. Herbert White (Male, 20-30) Playful, light-hearted and witty. His teasing nature contrasts with the darker events that unfold. Sergeant-Major Morris (Male, 40-60) World-weary and authoritative. Brings a sense of foreboding with stories of his travels and the cursed object. Additional Roles Storyteller / Narrator (Any gender, 18+) Guides the audience through the story, setting tone and atmosphere. Strong presence and storytelling ability essential. Devising Ensemble (3-4 roles) (Any gender, 18+) These roles will be collaboratively developed, drawing on stories from the history of the theatre. Previous devising or ensemble experience is desirable Performers should be open to physical theatre, improvisation, and collaborative creation Rehearsal & Performance Dates Rehearsal schedule: To be confirmed - availability will be discussed at audition Performances: 15-17 October Please ensure you are available for all performance dates We are looking to hold evening performances: 15 and 16, 2 performances on 17 - an early evening and a late night performance. What to Prepare Auditions may include a cold reading from the script Devising ensemble candidates may also take part in a short group workshop How to Attend No need to book - just come along on the evening. If you have any questions in advance, please get in touch with Caroline on caroline.donald80@gmail.com. Additional Notes We welcome performers of all backgrounds and experience levels. This production offers opportunities both for traditional scripted acting and collaborative devised work.
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Posted 04/07/2026
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Posted 09/05/2026
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The Nomads
www.nomadtheatre.com      
The Nomad Theatre , Bishopsmead Parade, East Horsley, KT246RT
Dick Whittington by Ben Crocker
Auditions: Mon 20 July at 7.30pm and Tues 4 Aug at 7.30pm at The Nomad Theatre , Bishopsmead Parade, East Horsley, KT246RT Performances: Tues 8th to Sat 12 December
If you are interested but cannot make it please email Moyra on chairman@nomadtheatre.com and we will arrange to see you on another date. As well as the main characters we need lots of chorus. So join Dick and his cat as they seek to make their fortune and foil the dastardly King Rat! Expect toe tapping songs, laughs galore and loads of audience participation in this much loved rags to riches story of derring do, crazy comedy and true love.
Characters: King Rat (The Baddie), Fairy Bowbells (The Cockney Goodie), Tommy The Cat (Silent), Alderman Fitzwarren, Alice Fitzwarren (Principal Girl), Idle Jack (Lovelorn and Lazy), Dick Whittington (Principal Boy) Sarah The Cook(Warm hearted Dame), Captain Horatio Fitzwarren (Alderman's identical twin), The Empress of Morocco Chorus: Citizens, Rats, Sailors, Guards, Palace Attendants
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Posted 18/07/2026
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Posted 04/07/2026
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Posted 14/05/2026
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June 2026 |
Posted 15/05/2026
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Posted 24/04/2026
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Posted 07/06/2026
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Posted 09/05/2026
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Posted 15/06/2026
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Banbury Cross Players
www.banburycrossplayers.org.uk         
St Hugh's Church Hall, Banbury, OX16 9HU

THE GIRL ON THE TRAIN
. Read Through: Thursday 28 May 2026 at 7.30pm - St Hugh's Church Hall, Banbury, OX16 9HU, UK . Auditions will take place on 25th June 2026, also at St Hugh's Church Hall - more information about auditions will be shared soon! . Performances will take place 19-21st November 2026
On Thursday 28th May 2026, Banbury Cross Players are holding a read-through for their upcoming November 2026 production, The Girl on the Train, based on the bestselling novel by Paula Hawkins and adapted by Rachel Wagstaff and Duncan Abel.
Show Synopsis Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the women she's been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated. Director Lucy Byford shared this about the play: "This is a beautifully written play with fabulous characters and plot twists. The writing and changing locations lends itself to creative transitions and minimal time off stage. Whilst there are 7 key characters, there is also some multi-roling and ensemble work. I want this play to feel fluid, intense and powerful. There is minimal set but some interesting use of flats and chairs...more will be revealed at the read through!",br>So be sure to join us at St Hugh's Church Hall from 7.30pm on Thursday 28th May 2026 to find out more! This amateur production of "The Girl on the Train" is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. https://www.concordtheatricals.co.uk/
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Posted 25/05/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Hedda Gabler By Henrik Ibsen, in a version by Patrick Marber
Audition one: 28 Jun 2026 10:00 - 12:00 Audition two: 29 Jun 2026 20:00 - 22:00
Just married. Bored already. Hedda longs to be free. Ibsen's classic in a version by Patrick Marber. Hedda returns from her honeymoon with new husband George Tesman. Struggling with her marriage and life devoid of excitement, Hedda strives to find a way to fulfil her desires by manipulating those around her. Hedda may or may not be asked to play the piano. Not a requirement, however helpful to make known when auditioning.
Director: Jake Levy Performances: 29 Sep - 3 Oct 2026 First Rehearsal: 19 Jul 2026 Characters: Hedda Gabler: F, late 20s-early 40s Juliana: F, 40s+ Berte: F, 50s+ Thea Elvsted: F, 20s to 30s George Tesman: M, late 20s-30s Judge Brack: M, 30s-40s Eilert Lovborg: M 20s to 30s COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot. Please only email the director if the information you require is not included there. Email The Director
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Posted 21/06/2026
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Posted 15/06/2026
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May 2026 |
Posted 26/04/2026
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Posted 26/04/2026
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Posted 23/04/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Pool (No Water) By Mark Ravenhill
Audition one: 10 May 2026 10:00 - 12:00 Audition two: 11 May 2026 20:00 - 22:00
As a private viewing winds down, a chance recollection starts to unpeel the shocking event that shattered a relationship with another talented artist. Working through not just the events around it but also their responses subsequently, this play interrogates the cost of jealously, regret and the cost of creativity. Unnamed ensemble members (x 5-7), any gender, 25-50.
As the characters are all part of an art collective I would like them to be making art pieces on stage during the show. This might include painting, collage and photography - likely a mixture. While artistic and creative skills are desirable we will have art workshops during the rehearsal period. Director: Miriam Nice Performances: 1 - 5 Sep 2026 First Rehearsal: 21 Jun 2026 COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot. Please only email the director if the information you require is not included there. Email The Director
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Posted 05/05/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

SLT Summer Shorts 2026
Audition one: 17 May 2026 10:00 - 12:00 Audition two: 18 May 2026 20:00 - 22:00
Our annual festival of new writing has a programme of 10 short plays, which will be performed five times from 11-15 August, 2026. They represent a great opportunity for those with less experience, or time to commit.
These auditions will be informal and contain opportunities to read script excerpts across the short plays, which may or may not be available and posted on this page ahead of time. The programme is likely to include a mix of monologue and small company, drama and comedy, and contemporary and period, all written to this year's theme of Window. Multiple roles are up for grabs for a range of ages and all genders. In order to reserve your place at an audition session, please complete the registration form by clicking here Audition sides may be made available registered auditionees closer to the time. Director: Summer Shorts Team 2026 Performances: 11 - 15 Aug 2026 First Rehearsal: 31 May 2026 Please fill in this form to book an audition slot. Email The Director
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Posted 05/05/2026
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Posted 15/05/2026
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Young Panto Companywww.chelmsfordtheatre.co.uk
Chelmsford Theatre, Essex

Cinderella
Our group audition will take place on Sunday 24 May 2026 between 11am and 5pm, where those attending will have an exciting workshop style audition, at an allocated time slot, with a member of the pantomime creative team. Previous theatre experience is not essential, but is useful. Those auditioning must be Year Groups 5 - 10 on 1 December 2026 and must be available throughout the whole period, from Sunday 1 November 2026 to Sunday 3 January 2027. Rehearsals are held only on weekends and after school from 1 - 24 November 2026 and performances are approximately 3 days per week from 24 November 2026 to 3 January 2027.
Would you like to join our professional panto cast on stage for this year's stunning production of Cinderella at Chelmsford Theatre? We are on the hunt for a group of young people who love singing, dancing and acting to be our Young Panto Company for this year.
Interested or know someone who is? Then don't delay as audition places are strictly limited. Please ensure you have read and understood the Audition Notes before submitting an application form. Read the audition notes here
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Posted 01/05/2026
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Posted 15/05/2026
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Banbury Cross Players
www.banburycrossplayers.org.uk         
St Hugh's Church Hall, Banbury, OX16 9HU

THE GIRL ON THE TRAIN
. Read Through: Thursday 28 May 2026 at 7.30pm - St Hugh's Church Hall, Banbury, OX16 9HU, UK . Auditions will take place on 25th June 2026, also at St Hugh's Church Hall - more information about auditions will be shared soon! . Performances will take place 19-21st November 2026
On Thursday 28th May 2026, Banbury Cross Players are holding a read-through for their upcoming November 2026 production, The Girl on the Train, based on the bestselling novel by Paula Hawkins and adapted by Rachel Wagstaff and Duncan Abel.
Show Synopsis Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the women she's been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated. Director Lucy Byford shared this about the play: "This is a beautifully written play with fabulous characters and plot twists. The writing and changing locations lends itself to creative transitions and minimal time off stage. Whilst there are 7 key characters, there is also some multi-roling and ensemble work. I want this play to feel fluid, intense and powerful. There is minimal set but some interesting use of flats and chairs...more will be revealed at the read through!",br>So be sure to join us at St Hugh's Church Hall from 7.30pm on Thursday 28th May 2026 to find out more! This amateur production of "The Girl on the Train" is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. https://www.concordtheatricals.co.uk/
Read more....
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Posted 25/05/2026
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April 2026
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Posted 15/01/2026
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Posted 05/04/2026
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The Nomads
www.nomadtheatre.com      
The Nomad Theatre East Horsley
A Double Bill in The Studio
Audition Dates: Tues April 7th 8pm at The Nomad Theatre East Horsley Show Dates: Tues 9th to Sat 13th June
If you are interested in auditioning or interested but cannot make the dates please contact Moyra on chairman@nomadtheatre.com
Cold Blooded Killer:Written and Directed by Geoff Rose-Michael Synopsis: When grieving widower Jack disturbs Becky, an intruder, he is shocked by how much she resembles his wife, who is missing presumed dead, in a shark attack recently.Jack attempts to persuade Beck to impersonate his wife, to inherit the fortune of his mother, who died during the tragic holiday. Is Jack Telling the truth about her disappearance, and can Becky be Trusted to carry out the deception.. Characters: Jack: Playing age mid 20 to mid 40's. He is wary, moody and menacing. Initially suspicious with his own agenda Becky: playing age mid 20's t mid 30's. She is flirty. confident and cautious, but in the end callous and determined. Must be able to do a convincing Irish accent (ideally Southern but can be changed to Northern) This play premiered at the Leatherhead Drama Festival in 2013 and won the Fire and Iron Award for New Writing.
Passenger(s):Written and Directed by Paul Reynolds Synopsis:This about how we see people and who they really are and about hope and positive outcomes when all things seem to be potentially against you. A parody of 21st century culture and living with the constant cloud of social media, dating Apps, the changing landscape and of course people around us that perhaps prefer things as they used to be. There are undertones of reflection on relationships and growing old (dis) gracefully Characters: Maisie: Slightly mousy, introverted and downtrodden, playing age mid 40's, been unlucky in love (she now rebuffs men on internet dating sites!)and has moved back in with her well off cantankerous mother. Let down by a series of men she speaks about the behaviour of European domesticated felines at conferences, drinks white wine , coffee and espresso martinis! Andy: Playing age early 40's, confident, slightly flamboyant, natty dresser, knows a small amount about most things but specialises in virtually nothing )other than failed relationships)His confidence hides an inner turmoil of self loathing, depression,, vulnerability, and a deep desire to find "the one" Mum (Beryl): No nonsense well heeled londoner, done most things in life and wants people to leave her alone.She is not happy her daughter has moved in. She hates most things modern, Tik Tok, X, the French and EV's Ray the Coach: Gruff, to the point and fed up of driving coaches. He relieves the boredom by drinking too much and trying to find suitable females to for the 24/48 hour stop overs! His attempts with Beryl go very wrong. Does not understand the woke culture and wishes the empire was still in tact Patrice: Flamboyant, suave good looking french man playing age 20's/30's works on eurostar as customer service assistant. Dreams of being in Moulin Rouge! Jonathon: Playing age late 50's, camp and plump. Cameo appearance as receptionist at Bruges hotel
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Posted 06/04/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Treasure Island by Robert Louis Stevenson - Adapted by Briony Lavery
Audition one: 12 Apr 2026 10:00 - 12:30 Audition two: 13 Apr 2026 20:00 - 22:00 PERFORMANCES: 23 Jul - 2 Aug 2026 First Rehearsal: 10 May 2026
On a dark and stormy night, Jim, the innkeeper's granddaughter opens the door to a terrifying stranger. At his feet is a huge chest, full of secrets. When Jim invites him in, her dangerous voyage begins. Robert Louis Stevenson's tale of treasure and pirates is adapted in a thrilling production by Bryony Lavery. The story is punctuated by a number of sea shanties. While we will have a musician leading these, the cast are expected to join in. Director: Lisa Thomas
Characters: Jim Hawkins: F, 20s Grandma Hawkins: F, ancient, can double Doctor Livesey: F, 20s+ Squire Trelawney: M, 30s+ Mrs Crossley: F, 30s+, can double Red Ruth: F, 20s+ Job Anderson: M, 20s+ Lucky Mickey: M, 20s+ Silent Sue: F, 20s+, says nothing! Bill Bones: M, 30s+, can double Black Dog: M, 30s+ Blind Pew: M, 30s+, can double Captain Smollet: M, 30+ Long John Silver: M, 30+ Joan the Goat: F, 20+ Israel Hands: M, 30+ Dick the Dandy: M, 20+ Killigrew the Kind: M, 20+ George Badger: M, 30+ Grey: M, 30+ Ben Gunn: M, 20s+
COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot.
Please only email the director if the information you require is not included there. Email The Director
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Posted 25/03/2026 
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Posted 14/03/2026
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Encore Theatre Company
  
Village Hall in Hemsby, Norfolk NR29 4NH
Camelot the Panto by Ben Crocker
The first rehearsal will be a read through of the script on Wednesday 15th April starting at 7pm Performance dates are Thursday 3rd December 2026, Friday 4th December 2026, Saturday 5th December 2026 (matinee and evening shows) and Sunday 6TH December 2026 (matinee).
For further details, please email lazzapen@hotmail.com Newcomers are welcome.
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Posted 26/03/2026
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Posted 23/04/2026
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Posted 26/04/2026
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Posted 23/04/2026
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March 2026
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Archway Theatre (The)
archwaytheatre.co.uk               
The Archway Theatre, Surrey

Jack Absolute Flies Again
Audition: 1st March, 7:30pm, theatre bar Playing Dates: Wed 3rd - Sat 13th Jun 2026
Summer 1940. After an aerial dog fight, Pilot Officer Jack Absolute flies home to rejoin his intrepid young Hurricane squadron. Back on British soil, Jack is shocked to find his old flame, Lydia, on the base. Setting his sights on winning her heart, but with turbulence and hilarity never far away, Jack's advances quickly turn to anarchy when the young heiress demands to be loved on her own terms. Sheridan's classic comedy of manners, The Rivals, is given an uproarious Battle of Britain update by Richard Bean, the award-winning writer of One Man, Two Guvnors, and Oliver Chris. Simply think The 39 Steps, mixed with One Man Two Guvnors and a dash of The Dam Busters. There will be comedy, high jinks, dancing and drama.
PILOT OFFICER JACK ABSOLUTE - male, 20s/30s FIRST OFFICER LYDIA LANGUISH - female, 20s/30s MRS MALAPROP - female, 50s/60s PILOT OFFICER ROY FAULKLAND - male, 20s/30s JULIA MELVILLE - female, 20s/30s LUCY - female, 20s-40s MAJOR GENERAL SIR ANTHONY ABSOLUTE - male, 50s/60s PILOT OFFICER BOB ACRES - male, 30s/40s PILOT OFFICER BIKRAM 'TONY' KHATTRI - male, 20s-40s INTELLIGENCE OFFICER BRIAN COVENTRY - male, 40s/50s WARRANT OFFICER 2 DUDLEY SCUNTHORPE - male, 30s/40s FLIGHT OFFICER PETER KINGSMITH - male, 20s-40s FLIGHT SERGEANT STUART SAMPSON - gender neutral, 20s-40sRPossible extras: extra females for the potential ensemble in one small section of the play.RSingers/ musicians - we might create a little musical theme throughout where live musicians or singers would be featured at moments throughout. Think Andrews Sisters or a 40s Skiff band. Doesn't have to be the same group for all 10 shows. Contact the director if you think you might be interested! You can find out more about all the characters on our event on Facebook or our website. This really is a great, fun show to get involved in so drop the director a line to chat about any of it: ali.hannant@archwaytheatre.co.uk
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Posted 24/02/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

The River by Jez Butterworth
Audition one: 1 Mar 2026 10:00 - 12:30 Audition two: 2 Mar 2026 20:00 - 22:00 PERFORMANCES: 16 - 20 Jun 2026 First Rehearsal: 5 Apr 2026
It is August, and the sea trout have returned. They lurk in dark pools, lined up like U-boats, ready to leap up river to spawn and mate. THE MAN has also returned, to fish for these trout, to recapture magical childhood experiences and also to hopefully find the love of the woman he so yearns for. The drama takes place in a small remote cabin beside a dramatic river with waterfalls, long dark pools and turbulent rapids. The writing style mirrors the life of the river, poetically following an immersive dramatic course. THE WOMAN has come with him to the cabin, and maybe together they will discover a deep connection and the love they are searching for. During this night fishing trip we encounter THE OTHER WOMAN, who is also on a fishing trip with The Man. Is he remembering her? Is this some shift in time or a parallel experience? The brilliant writer Jez Butterworth allows for the two relationships to flow seamlessly in and out of one another, providing us with a sense of repeated experiences leading to an inevitable loss. The Song of Aengus, derived from a Celtic myth exploring unrequited, idyllic love opens and closes the drama, and is echoed throughout as poignant backdrop to this beautiful play. Director: Janine Wunsche
Characters: THE MAN: 40s. Sensitive and vulnerable but witty and intelligent. The Man is a rich tapestry of emotions and imagination, with a poetic view of life. He is passionate about nature, forests, rivers, and the elemental forces that seem fully alive there. He is yearning, searching for a soulmate, a loving connection with a woman - the woman of his dreams. On the surface he presents as an active outdoor type, funny and enthusiastic, enjoys literature and philosophy. He is obsessed by fishing for sea trout at night. THE WOMAN: Mid-30s. Grounded, earthy and practical. She has a mature, intelligent sensibility. She is confident on the surface but she is also intuitive and feels things very deeply. We sense that she is rediscovering herself. Hoping to find a man who can mirror her, she has come on a weekend trip to the cabin with The Man. Her childhood past has left some wounds that still feel raw and need healing. THE OTHER WOMAN: 30-ish. Spirited, playful and quirky. She is exciting, immediate, sensual and magnetic. She has quite a liberated, fearless surface, but maybe she secretly yearns to be anchored, to connect with someone solid and reliable who can ground her. We sense that she never fully reveals herself to others. She is mysteriously attractive because of this.RI am looking for three sensitive, risky, emotionally vulnerable actors for these roles. https://calendly.com/stephen-southlondontheatre/auditions-the-river COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot. Please only email the director if the information you require is not included there. Email The Director
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Posted 24/02/2026 
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Garden Suburb Theatre
www.gardensuburbtheatre.org.uk      
The reading will take place in the Small Hall (to the right on the ground floor) and the audition in the Main Hall, Hampstead Garden Suburb Free Church Hall, Northway, London NW11 6PB

Boudica by Tristan Bernays
READING: Sunday 1st March at 7pm AUDITION DATE: Sunday 15th March at 7pm PERFORMANCES Friday 19th June at 7.30pm Saturday 20th June at 7.30pm Sunday 21st June at 3pm Thursday 25th June at 7.30pm Friday 26th June at 7.30pm Saturday 27th June at 7.30pm Little Oak Wood Open Air Theatre, NW11 6QS
THE PLAY AD 61. Rebellion is stirring in the Roman province of Britannia, and it's led by a woman. Rome has refused Boudica her throne as Queen of the Iceni. Rome has flogged and humiliated her, Rome has defiled her daughters. But Boudica won't lie down and lick her wounds. She wants revenge, and she's bringing an army. This is a physical, ensemble-based production, in which most actors will play more than one role and be involved in fight scenes.
READING We are holding an informal reading of the script on Sunday 1st March at 7pm. We encourage everyone who wants to audition to come to the reading to familiarise themselves with the characters.
REHEARSALS Rehearsals will be held on Tuesdays and Thursdays at 7pm and on Sundays at 3pm, beginning on Sunday 19th April 2026. Rehearsals will be held both at the Free Church Hall and in Little Oak Wood Open Air Theatre. We expect cast members to be available for all rehearsals. Before auditioning, please ensure you are available for the show dates, and every evening of the production week leading up to the first performance (22nd - 25th June), as you will be needed for tech and dress rehearsals in the venue.
PERFORMANCES There will be six performances, which will take place 19th - 21st and 25th - 27th June 2026 at Little Oak Wood Theatre (Addison Way, W11 6QS). The Sunday performance is a matinee, all other days are evening shows.
MEMBERSHIP You do not have to be a member to audition, but if you get a part you will need to join in order to perform. Further information about membership can be found here.
AUDITION PIECES The audition will consist of a mixture of movement, voice and small snippets of the script, which you will be provided with. We're looking for energy, physicality and enthusiasm. Please wear loose, comfortable clothing for the audition as you will be moving a lot.
CHARACTERS This is an ensemble-based production with most actors playing more than one role and all participating in crowd and fight scenes.
Principal characters (not part of the ensemble): Boudica, Queen of the Iceni Blodwynn, her older daughter Alonna, her younger daughter Cunobeline, King of the Trinovantes Badvoc, King of the Belgics Gaius Suetonius, a Roman general Catus Deciamus, Procurator of Britannia
Ensemble: All other parts (soldiers, functionaries, warriors, kings, druids, townspeople and a goddess) are played by the ensemble. If you want to audition for the ensemble, you will read for: Lucius, Cato and Sestus, Roman soldiers Silvia, a captive Roman
To get a better idea of the characters, please read the play before the audition or come to the reading on 1st March at 7pm. To express an interest in the audition and to let us know you are coming along (and which roles you are interested in), please fill out this form. Audition Registration Form
If you have any questions about this production or you would like to request a copy of the script, please email: boudica@gardensuburbtheatre.org.uk
If you are interested in being involved in this production in a non-acting role, e.g. helping backstage or with our publicity, or in joining GST as an audience member to get free tickets to this and all our productions, please email us for more information at info@gardensuburbtheatre.org.uk
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Posted 01/03/2026
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Posted 21/02/2026
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Posted 10/02/2026
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Posted 18/01/2026
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Centre Stage London
www.centrestage.london         
Wheatsheaf Community Hall, off Wheatsheaf Ln, S Lambeth Rd, London SW8 2UP

Come From Away - Pre-audition Workshop
Saturday 14th March 2026, 2pm - 4pm
The workshop is free to attend but we do ask you to book a slot as capacity in the room is limited. Click the link below to secure your slot. www.tickettailor.com/events/centrestage/2101256
The workshop is open to anyone whether or not you plan to audition for the show. The creative team will talk you through the vision for the show, audition plans, and give you time to ask any questions. You'll then have a chance to learn some of the wonderful music and we'll teach the audition choreography. Don't worry if you're unable to attend, as all the requirements for the auditions will be in the audition notice along with a video of the choreography for you to learn ahead of auditions. If you have any questions prior to the workshop you can email the team (comefromawaycs@gmail.com). Keep reading below for more information about the audition timelines and the notice release! Come From Away - Audition timelines
First round auditions: April 15th, 16th and 18th 2026 Recalls (by invitation): April 25th 2026 Show Week: July 21st - 25th 2026 Audition notice released here: Monday March 16th Members can book their audition from 9am on Monday March 23rd and will be sent information on how to do so at the end of the previous week. Audition slots will then be available to book for all from 9am on Wednesday March 25th. The link will be made available here.
Please note - we will be freezing the ability to become a member of Centre Stage during the CFA members' audition booking window, for the sanity of our hard-working volunteers. If you wish to become a member of Centre Stage and take advantage of the members' window, please aim to join beforehand! You can join via our website. As a reminder, membership entitles you to book for all auditions for a year for free, as well as benefit from audition and ticket booking windows.
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Posted 13/03/2026
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Banbury Cross Players
www.banburycrossplayers.org.uk         
St Hugh's Church Hall in Banbury, Oxfordshire

A Handbag by Anthony Horowitz and directed by Chrissie Garrett
18th and 19th March 2026 from 7.30pm
Anthony Horowitz was commissioned to write a play as part of the National Theatre's New Connections programme in 2009, and the result is The Handbag - a short play which is both funny and poignant for a cast of six - 4 men, 2 women. The Play A group of people are rehearsing The Importance of Being Earnest but, as they attempt to perform a play which is alien to them to gain some form of escapism, it becomes apparent that their surroundings are not normal. Gradually, as tensions mount, squabbles ensue and each person's story starts to emerge. Prior to auditions, a read through of the play is being held on 12th March 2026 at St Hugh's Church Hall in Banbury - if you attended the previous read through, it is not necessary to attend this second one.
Key Information . Auditions are being held at St Hugh's Church Hall in Banbury on 18th and 19th March 2026 from 7.30pm. . The audition will include script work only - there is no need to learn anything for the auditions. . You do not need to be a member of BCP to audition but will be required to join if cast. . Rehearsals will start 22nd March 2026 with an introductory workshop before they officially kick off on 13th April 2026, and will take place on Mondays and Wednesdays with the occasional Sunday. Please note, in order to take part, you MUST be available to perform on the following dates: . 27th May - Performance at Adderbury Church House in aid of FOCAL . 4th June - Performance at Lighthorne Drama Festival . 4-8th June - Performance at Abingdon Drama Festival (exact performance date TBC) . 8-13th June - Performance at Wallingford Drama Festival (exact performance date TBC) . July 2026 - Potential additional performance to be agreed with cast (date TBC) . 17th September - Season Preview at The Mill Arts Centre, Banbury Roles - 4 men, 2 women but can be any age/gender (including all men, or all women as needed) . Rose (also plays Lady Bracknell) - Emotional, dreamy (with moments of perception), and slightly fragile. She yearns for normality and must be played gently, and emotionally truthfully, not as a caricature. She plays Lady Bracknell in The Importance of Being Earnest, and is obsessed with the 'handbag' as a symbol of freedom and escape. . George (also plays Jack Worthing) - Protective and controlling and often acts as the leader of the group. He is prone to surges of anger and confusion but also craves structure and respect. He potentially has a romantic relationship with Rose, although this could be played as a paternal relationship depending on casting. The actor who plays him must be able to portray him as intense and powerful. . Allan (also plays Algernon Moncrieff) - Allan is logical, practical and rule-obsessed. . Specs (also plays Aleman, Gwendolyn, Jack and Cecily - in a single monologue!) - Nervous and twitchy, Specs is easily frightened. He is childlike in attitude with an underlying sadness, and has a stutter, which is crucial to his character. . Irene (also plays Gwendolyn) - Glaswegian or Liverpudlian accent. Irene is impatient, controlling and passive aggressive in nature, believing she knows best. Must be played powerfully. . Kinsey (also plays Lane) - Kinsey is to be played as lacking emotion; still and controlled with a quiet menace; clinical and bureaucratic. To request a copy of the script or for more information, drop Director Chrissie Garrett an email at chrissiegarrett111150@gmail.com
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Posted 01/03/2026
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The Company
www.thecompanysheffield.co.uk         
Sheffield, Yorkshire

Blood Wedding From the play by Federico García Lorca Adapted by Ed Bancroft and Nina Price Directed by Ed Bancroft and Anaïs Dubois Reymond
March 2026
All auditions and rehearsals will be at CADS Arley Street Space (formerly Theatre Deli). This is a wheelchair accessible space. For more details, please see www.cads-online.co.uk Rehearsals will be Sundays, Tuesdays and Thursdays, 7 April - 18 June 2026 (no rehearsal scheduled for Sunday 3 May). Most actors won't be needed at all rehearsals, and you will be able to specify availability at auditions. We are usually able to work around actors' availability. Please come to either Option 1 or Option 2, and try to keep the callback date free. Callbacks are purely to assess how different actors might work together in different roles. If you're not called back, it doesn't necessarily mean you didn't get a part! Please read the information about our audition process towards the bottom of the page. Descriptions of the characters are below.
Audition Option 1 Thursday 19 March 2026, 7:30pm CADS Arley Street Space, Cuthbert House, Arley Street, S2 4QP Audition Option 2 Tuesday 24 March 2026, 7:30pm CADS Arley Street Space, Cuthbert House, Arley Street, S2 4QP Audition Callbacks Tuesday 31 March 2026, 7:30pm CADS Arley Street Space, Cuthbert House, Arley Street, S2 4QP Rehearsal Period Sundays, 2pm; Tuesdays and Thursdays, 7:30pm; 7 April 2026 - 18 June 2026 CADS Arley Street Space, Cuthbert House, Arley Street, S2 4QP Get In Sunday 21 June 2026 University of Sheffield Drama Studio, Shearwood Road, S10 2TD Tech & Dress Rehearsals Monday 22 & Tuesday 23 June 2026 University of Sheffield Drama Studio, Shearwood Road, S10 2TD Performance Dates Wednesday 24 - Saturday 27 June 2026 University of Sheffield Drama Studio, Shearwood Road, S10 2TD Mother A mature woman, old enough to have children in their twenties. From a wealthy family, but she has lost her husband and her other sons. She reflects on her loss and tries to keep her last child safe. It is her story that drives the narrative at the beginning of the play. Bride A young woman in her early twenties, from a less wealthy family. She loved Leonardo and was in a relationship with him for three years, but her father did not approve because Leonardo came from a very poor family. She enters the marriage with little hope and feels lost, believing she is not truly loved by her father. Mother-in-Law (sings) An older woman, old enough to have children in their twenties. From a poor family with little land. She harbours suspicions about her son-in-law, believing him to be unfaithful. Fiercely protective of her daughter. Leonardo A man in his mid to late twenties from a poor family with few prospects. He is in love with the Bride but was not allowed to marry her and instead married his Wife, who had some land. This relationship overlapped with his relationship with the Bride. He has a dark, charismatic presence. Leonardo's Wife (sings) A young woman in her early twenties. She believed she was in love with Leonardo but has come to regret the marriage. She is becoming bitter at his indifference towards her and their child. Maid Any age, but possibly older. She knows everything and tries to make things better for the Bride. Neighbour An older woman from the wealthy part of the town. A friend to the Mother. Three Girls (sing) Act as a chorus. Any age, but usually women. Moon A representation of the cold Moon. Can be any gender. Has a major poetic influence on the ending of the play. Bridegroom A young man from a wealthy family who has had to endure his mother's protective nature and listen to her lamenting. He is in love with the Bride; their relationship overlapped with the Bride's relationship with Leonardo. The marriage will consolidate his fertile land with her father's stony land. Bride's Father An older man who objects to Leonardo because of his poverty. He wants to build a legacy and will marry off his daughter to achieve this. Death / Beggar An older woman who is a poetic representation of the death to come for the young men. Three Woodcutters ?Any age or gender. Act as a chorus to illustrate the chase and the final conflict. Anyone over the age of 18 is welcome to audition, whether you've worked with us before or are a newcomer. Everyone who attends auditions will be considered fairly and have an equal opportunity to be cast in a role.
Any concerns please email thecompanysheffield@gmail.com
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Posted 16/03/206
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Posted 13/03/2026
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February 2026
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Posted 07/11/2025
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Hamlet: Into the Manosphere By William Shakespeare (adapted by David Frost)
Audition one: 1 Feb 2026 10:00 - 12:30 Audition two: 2 Feb 2026 20:00 - 22:00 PERFORMANCES: 19 - 23 May 2026 First Rehearsal: 8 Mar 2026
Young Prince Hamlet has every reason to look forward to the future: he's handsome, charming and brilliant; heir to the throne of Denmark; madly in love with the gorgeous Ophelia - and not even Prince Harry can compete with his two million followers on TikTok! But all of a sudden, his legendary war-hero father has died in a tragic accident, and his sleazy uncle has schmoozed his way both on to the throne and into his mother's bed. In today's world, where can an emotionally and sexually frustrated young man turn when he feels as though the entire world around him has been set up just to thwart and emasculate him? Where else.but the Manosphere. Director: David Frost
Characters: Prince Hamlet: Playing age 20s-early 30s (as a hard limit), male King Claudius: Playing age 40s-50s, male Queen Gertrude: Playing age 40s-50s, female Polonius: Playing age 40s-60s, male or female Ophelia: Playing age late teens/20s, female Laertes: Playing age 20s/early 30s, male/masculine-presenting Horatio: Playing age 20s-30s, male Rosencrantz and Guildenstern: Playing age 20s/early 30s, female Marcella / Lead Player (Player Queen) / Grave digger/ English Ambassador: Playing age, 30s-60s, female Ghost of King Hamlet: Playing age 60s, male Young Fortinbras: Playing age 20s, male Additional players, courtiers, Priest, Osric, Cornelia: The extent to which we opt for a wider ensemble cast and wider distribution of small roles will depend on the field of auditionees and the extent of interest from actors ultimately not cast in major roles to be involved nonetheless. We are also interested in actors with musical skills (singing and instruments), who might be interested in combining smaller ensemble cast involvement with forming part of a live band to be incorporated into the performance.
This new conceptualisation of Shakespeare's masterpiece will channel the play's focus on the nature of illusion and reality, gender and identity, and Self and Other into a distinctly 21st-century exploration of the digital world of social media, neurodivergence, and online misogyny. There is an ambitious plan to make screen projections and live-streaming a central aspect of the production, requiring a versatile and committed cast.
More details about each character can be found in the audition pack, using the link below.
COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot. Please only email the director if the information you need is not included there.
Callbacks will take place on Sunday 8th February at 10am.
Email The Director
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Posted 21/01/2026 
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AmEgos Theatre
www.amegostheatre.com         
Wantage, Oxfordshire

THE PIRATES OF PENZANCE
Intro session on Sunday 1st Feb, all welcome. We're going to lift the traditional style of Pirates and bring it right into 2026! Auditions open to all Sunday 15th Feb 2026 This will be performed at KING ALFRED's ACADEMY THEATRE, WANTAGE 23 - 25 July 2026
We want to cast pirates, police officers and General Stanley's daughters, together with The Pirate King, Frederick, Ruth, General Stanley and Mabel ...
You can meet the production team, sing a few songs and hear all about the audition process - we will also give out audition pieces on this date. To register your interest and get venue and time details, email amegos.theatre@gmail.com
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Posted 28/01/2026
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Posted 19/01/2026
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Posted 30/01/2026
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Posted 30/01/2026
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Ashtead Players
www.ashteadplayers.co.uk      
Ashtead Peace Memorial Hall, Woodfield Lane, Ashtead. KT21 2BE

SWEET REVENGE by Francis Durbridge
Auditions - Thursday 5th February 2026, 8pm We rehearse on Tuesday and Thursday evenings, and performance dates are 22nd to 25th April 2026.
If you'd like to join a fun local drama society, either on or off stage, then come along on 5th February and meet us. New members both acting and backstage are warmly welcomed.
Sweet Revenge is a thriller by Francus Durbridge. It was first presented at The Thorndyke Theatre in Leatherhead, 1993.
Our production will be set in present day. Synopsis:- Ross is a happily married cardiac consultant - until his wife Fay announces she has fallen in love with the famous conductor Julian Kane. It is discovered that a new drug which Ross is trailing is potentially lethal to cardiac patients and phials of the drug have gone missing. When Julian dies from a heart attack, all fingers point to Ross but as the play progresses more enemies of the deceased are revealed, all of whom had a motive to kill. Characters:- Judy Hilton Ross' assistant. Former nurse Alan Wells Fay's brother Marian Palmer A boutique owner Ross Marquand Cardiac consultant, likeable with an air of authority Sam Kennedy GP, close to Ross. Could be male or female Bill Yorke Elderly old-fashioned gentleman Faye Marquand Ross' wife. Younger than her husband Julian Kane Conductor, suave. Norman Saunders Chief Inspector. Could be male or female
I am not suggesting any set ages for these characters, they just need to look credible in their roles.
Please text or call me 07922 273406 if you would like to discuss any aspects of the production or request a script. All the best, Sue. For more details, contact us at ashteadplayers@gmail.com
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Posted 19/01/2026
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Posted 05/02/2026
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Banbury Cross Players
www.banburycrossplayers.org.uk         
The Mill Arts Centre, Spiceball Park, Banbury, Oxfordshire OX16 5QE

UNDERDOG : The Other Other Brontë
Wednesday 11 Feb 2026 & Thursday 12 Feb 2026, 7.30pm
The Play An irreverent retelling of the life and legend of the Brontë sisters, and the sibling power dynamics that shaped their uneven rise to fame. A familiar story told with a modern voice which makes these three exceptional women very accessible for an audience of today. The play brushes aside the view of three tiny women holed up in a gloomy parsonage in Yorkshire and presents them as passionate forward-thinking women, wanting to be successful. You don't have to know or like the Brontës to enjoy this play. The gritty and controversial plot lines and characters mirror those in Jane Eyre, Agnes Grey and Wuthering Heights. If you are familiar with the Brontës you may recognise scenes and references. If not, you will enjoy the theatrical approach employed in the storytelling and the three-dimensional characters drawn in the dialogue.
The production will feature a range of styles of music, unconventional costume and projection and lighting to enhance the visual effect. Mobile staging elements will reinforce the sense of time and place as the story moves between Yorkshire, London and Europe. Roles . Charlotte Brontë - elder sister, narrator, seeker of fame and fortune . Emily Brontë - middle sister, fiery, most poetic of the sisters, Anne's Guardian . Anne Brontë - younger sister, mild-mannered, gentle soul (or is she?) . Five-actor ensemble, gender neutral, playing 30+ characters (eg Elizabeth Gaskell, Branwell Brontë, Literary Critics, Publishers, Servants, Children, Coachman, Aristocrats) What we are looking for . How you work with others, vocal range, imagination, creativity, listening and comprehension skills, efficient movement, energy . Ensemble - each character must be clearly defined and identifiable as - in some instances - their appearance is only brief . Ensemble work together setting and clearing scenery and props . Sisters must demonstrate passion and determination as well as warmth and humanity . Give us your best performance . Auditionees must be 18+ The Audition will include . Warm-up - ALL . Movement exercise - "Ladylike Tricks" AKA Critics Scene (Act 2 Sc3, p63-66) - ALL . "Cunliffe" (Act 1 Sc 2, p19-23) - ENSEMBLE . "There's Been a Mix Up" (p79 - 83) - SISTERS . Solo prepared piece - ALL Everyone will perform the Solo Prepared piece. It is not necessary to learn unless you wish to do so. The roles of the sisters in the ALL and ENSEMBLE pieces may be allocated to those auditioning for Ensemble for the purposes of audition.
There will be an Audition panel of three - the Director and two senior members of BCP.
You do not need to be a member of BCP to audition but will be required to join if cast. To request Audition material or if you would like to audition but cannot attend the above dates or if you would like to read the script or if you have any other questions contact Director, Linda Shaw, lindashaw80@hotmail.com or 07802 301726.
Performance Dates - 18 - 20 June 2026 (inc Saturday matinee) 14 Jun 2026 Get in/Rigging - Line run & Safety Brief - time/s TBC 15 Jun 2026 Tech Rehearsal - 7.30pm Curtain Up. Photo call 7pm. 16 Jun 2026 Dress Rehearsal - 7.30pm Curtain Up; *Fight Call 7pm (no audience) 17 Jun 2026 Dress Rehearsal - 7.30pm Curtain Up; *Fight Call 7pm (invited audience) 18 Jun 2026 Performance - 7.30pm; *Fight Call 7pm 19 Jun 2026 Performance - 7.30pm; *Fight Call 7pm 20 Jun 2026 Performance - 2.30pm; *Fight Call 2pm 20 Jun 2026 Performance - 7.30pm; *Fight Call 7pm
*Fight Call = warm up, run any contact/choreographed sections
Performance Venue The Mill Arts Centre, Banbury
Rehearsal Period 8 March to 13 June 2026. One evening rehearsal during the week (M to F) and one long (4-6 hr) Sunday rehearsal. Venue to be confirmed but Banbury area. Read Through Thursday 5 Feb 2026, 7.30pm at The Mill Arts Centre. All welcome. This is your opportunity to find out more.
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Posted 18/01/2026
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

My Night With Reg By Kevin Elyot
Audition one: 15 Feb 2026 10:00 - 12:30 Audition two: 16 Feb 2026 20:00 - 22:00 PERFORMANCES: 2 - 6 Jun 2026 First Rehearsal: 22 Mar 2026
Set entirely among London's gay community in the mid-1980s against the background of the mounting AIDS crisis, My Night With Reg follows the ups and downs of a circle of gay friends over a period of several years. One of the group, the Reg mentioned in the title, is not a character in the play but the whole plot revolves around his apparent promiscuity and the chain reaction of deception and betrayal set off by it. Director: Barry Heselden
Characters: Guy: (The nice one), in whose new flat the play is set. He is the loveliest of people who is hiding a lifelong crush on John. Mid-30s. John: (The handsome one), self-centred, the audience won't like him. He is also having an affair with Reg, the partner of his best friend. Mid-30s. Daniel: (The fun one) - confident, a little flamboyant. Suspects his partner Reg is unfaithful but doesn't want to know. Mid-30s. Eric: (He has a regional accent - playing age 18-25) A young man who works in the local pub and is befriended by Guy. When the play opens, he is painting Guy's conservatory. This is a beautiful part, we see him grow as a person and become a strong man with a beautiful heart. Bernie: Older than the others (flexible on age) - irritating, but kind. The audience will like him but find him annoying. He has slept with Reg and is racked with guilt. Bennie: Bernie's younger partner, the quiet sexy type. He has also slept with Reg, doesn't feel guilty but is worried when we discover Reg has died from AIDS. Guy, John and Daniel met and have been friends since university. They are about the same age, approximately mid 30s. The play is set in the 1980s and therefore all the characters will be clean-shaven, with the possible exception of Bernie and Bennie. Please come to the audition clean-shaven or with only stubble. Adult Content Nudity The script states that John and Eric appear naked in the last scene. This will be up for discussion during rehearsals although they will appear semi clothed if not naked. Kissing: There is a slightly prolonged kiss between John and Bennie. This is a plot point and a beautiful moment. Seduction scene: During the final scene John and Eric are involved in a seduction scene which includes touching but no kissing. Rehearsals will be on Wednesday and Friday evenings from 7.45pm and Sundays from 4.30-8.00pm, beginning at the end of March. COMPLETE THIS FORM for further information, audition pieces, and to book an audition slot. Email The Director
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Posted 10.02/2026 
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South London Theatre
www.southlondontheatre.co.uk            
The Old Fire Station, 2a Norwood High Street, SE27 9NS

Come From Away By Irene Sankoff and David Hein
Audition one: 21 Feb 2026 12:00 - 16:00 Audition two: 22 Feb 2026 10:00 - 12:30 PERFORMANCES: 1 - 11 Jul 2026 First Rehearsal: 26 Apr 2026
Come From Away is the award-winning Canadian musical based on the true story of what happened when 38 planes were ordered to land unexpectedly in Gander, Newfoundland, on September 11, 2001, due to American air space being shut down. When the small town's population of 9,000 almost doubled by 7,000 stranded, frightened passengers, the residents of Gander welcomed 'the plane people' or 'Come From Away'ers with warmth, kindness, food and shelter. Different from the usual 'all singing all dancing' musical, it is an extremely ensemble piece for actors who sing and singers who can act, as each of the 12 performers plays many characters and rarely leaves the stage. It will require a true team spirit and commitment. It will take dedication, respect for each other and the rest of the team.
Director: LilyAnn Green
Characters: BEULAH: A teacher at Gander Elementary who takes control of the situation to help the stranded passengers. She befriends Hannah and prays with her. Also plays DELORES, who sings My Heart Must Go On. Mezzo with no actual solo. 40+ playing age BEVERLY: American Airline pilot. Also plays ANNETTE, a local, slightly man-crazy teacher at the Gander Academy and others. (This actor may flash her bra very briefly at one moment along with two others). Strong mezzo-soprano, has one very strong solo. 40+ playing age BONNIE: A no-nonsense wife, mother and committed employee of the local SPCA. She fights for the welfare of the animals trapped on the planes when no one else will. It can be a fun role but the comedy must come from the truth. Mezzo with no actual solo. 30+ playing age DIANE: A divorcee from Texas, who begins a friendship with Nick. Also plays CRYSTAL and others. Mezzo- soprano with strong mix up to D. Is part of one duet and one trio. 40+ playing age HANNAH: A New York grandmother waiting for news about her firefighter son, comforted by Beulah. Also plays others. Alto with strong belt and mix up to E . (This actor may flash her bra very briefly at one moment along with two others) 40+ playing age JANICE: An eager new local TV reporter, thrown into the deep end on her first day. Also plays Flight Attendant and others. Mezzo-soprano - no actual solo. (This actor may flash her bra very briefly at one moment along with two others) Early 20s playing age BOB: A hardened big city dweller - Bob fears that someone's going to steal his wallet or shoot him. Also plays Muhumuza, Captain Bristol and others. This actor needs to have comedy experience. Ability to do an African accent is a bonus. Baritone. No actual solo. 20+ playing age CLAUDE: The Mayor of Gander, Claude loves the townspeople and his daily traditions, but he's never had to deal with a crisis of this magnitude before. Also plays the Appleton Mayor and others. This actor must be comfortable with comedy and wearing a yamaka/kippah. Baritone. Only solos are spoken song. 40+ playing age KEVIN J: Kevin T's boyfriend and secretary. Sarcastic and unhappy, originally from NYC, he wants to leave as soon as possible. Also plays ALI, and others. This actor should be comfortable with finding comedy in difficult situations and speaking with a Middle Eastern accent and wearing a 'kufi'. Baritone. 30-50 playing age KEVIN T: Kevin is travelling with his boyfriend and secretary, also named Kevin. Also plays GARTH, the head of the local bus drivers union who are currently on strike, and others. Must be comfortable wearing a yamaka/kippah. Baritone/tenor up to G. 30+ playing age NICK: An Englishman on a business trip. He has a slight heart issue, but life is turned upside down when he falls for Diane. Also plays DOUG, an air traffic controller married to Bonnie, and others. Baritone/tenor. 40+ playing age OZ: The chief of a two-person Gander police force. Also plays customs officer, Mr Michaels the Spanish teacher, rabbi and others. Baritone/tenor up to G. 30+ playing age The show is traditionally performed with 12 actors; 6 male and 6 female. This is how we currently expect to cast the roles but may also recruit a few background singers or split roles if necessary. At the auditions, you will be expected to do the following: Sing We will inform you closer to the audition which song from the show to be somewhat familiar with and you will sing a short section. Speak We will send you a short scene etc to be familiar with, closer to the audition date. Move We will teach you a basic movement routine and ask you to perform it as part of a group. Do not worry it is not 'dance' as you know and possibly fear it! Note on accents Please don't worry about the somewhat strange 'Newfie' accent. The director is a voice coach and Canadian! We just need to find out if we think you can learn it; you don't need to be all that close yet. There are also lots of other accents required as well. Rehearsals will be at ad hoc times on Sundays and Monday evenings and any other evening and weekend times we can find a space until 26 April when we have an SLT room allotted to us. Then we will rehearse Wednesday and Friday evenings 7.45 to 10pm (ish) and Sunday evenings 4.45pm to 8pm (ish). COMPLETE THIS FORM for further information and to book an audition slot. Email The Director
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Posted 10.02/2026 
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Posted 27/02/2026
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January 2026
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Posted 08/12/2025
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Posted 22/12/2025
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Bartholomew Players
www.bartholomewplayers.co.uk         
The Red Lion in Eynsham, Oxfordshire

A Murder Is Announced by Agatha Christie
7th & 14th January 7:30pm
**OPEN AUDITIONS** Bartholomew Players are holding open auditions on 7th & 14th January at The Red Lion in Eynsham at 7.30pm. Anyone interested in taking part - on stage or as part of the backstage crew - are welcome to come along. For more details visit: www.bartholomewplayers.co.uk/a-murder-is-announced
Adapted for the stage by Leslie Darbon An announcement in the local paper states the time and place of an imminent murder. When an unknown visitor to Miss Blacklock's Victorian home dies under the prescribed circumstances, Miss Marple turns up to solve the case. Open auditions will take place on Wednesday 7th January and Wednesday 14th January in The Red Lion, Eynsham at 7.30pm. CAST Here is a breakdown of the key roles: Miss Marple - The shrewd, elderly amateur sleuth Letitia Blacklock - Owner of Little Paddocks, in her 50s/60s, reserved but opinionated Dora "Bunny" Bunner - Letitia's befuddled, childhood friend and companion Patrick Simmons - Letitia's handsome, jokester cousin Julia Simmons - Patrick's sister, a beautiful but difficult young woman studying pharmacy Mitzi - The dramatic, Eastern European cook/housekeeper Phillipa Haymes - A classy, elegant war widow with a young son Edmund Swettenham - A serious, writerly young man Mrs. Swettenham - Edmund's doting mother Inspector Craddock - The local police inspector Rudi Scherz - A mysterious, seemingly foreign man Sergeant Mellors - Craddock's assistant For more information please contact bart.players@gmail.com
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Posted 01/01/2026
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Posted 02/12/2025
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Garden Suburb Theatre
www.gardensuburbtheatre.org.uk      
Small Hall, Hampstead Garden Suburb Free Church Hall, Northway, London, NW11 6PB

The Long Road by Shelagh Stephenson
READING: Sunday 11 January at 19:00 AUDITION DATE: Sunday 25 January at 19:00 PERFORMANCES: Thursday 16 April at 7.30pm Friday 17 April at 7.30pm Saturday 18 April at 7.30pm Sunday 19 April at 3.00pm Upstairs at the Gatehouse, Highgate N6 4BD
THE PLAY The Long Road centres on the aftermath of the murder of 18-year-old Danny, and the devastating impact of this apparently random act of violence on his mother, father and brother. As each family member wrestles with grief, guilt and forgiveness, they must decide whether to have contact with Danny's killer. Will this offer understanding and release - or deepen their despair?
Director: Gabi Maddocks
READING We are holding an informal reading of the script on Sunday 11 January. The aim is for people to get to hear the script, ahead of the audition. Everyone will have chance to read, if they want to, although parts will be assigned randomly. This is not an audition - just a chance to read the script.
REHEARSALS Rehearsals will be held on Sundays, Tuesdays and Thursdays. Sunday rehearsals will start at 3.30pm, rehearsals on Tuesdays and Thursdays at 6.30pm. Unless stated otherwise, all rehearsals will be held at the Free Church Hall (same venue as the audition).
SHOW WEEK Before auditioning, please ensure you are available for the show dates and every evening of the production week (13th -19th April) as you will be needed for tech and dress rehearsals in the venue.
MEMBERSHIP You do not have to be a member to audition, but if you get a part you will need to join. Further information about membership can be found here.
CHARACTERS Joe, 20 Mary, his mother, 52 John, her husband Emma Price, 18 Elizabeth, thirties or fourties
To express an interest in the audition and to let us know you are coming along (and which roles you are interested in), please fill out this form. Audition Registration Form
If you have any questions about this production please email the directors below Email us If you are interested in being involved in this production in a non-acting role, e.g. helping backstage or with our publicity, or in joining GST as an audience member to get free tickets to this and all our productions, please email us for more information at info@gardensuburbtheatre.org.uk Standard GST policy is that we will cast all parts without regard to race, colour, religion, national origin, gender identity or expression, sexual orientation, disability or body shape.
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Posted 11/01/2026
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Edinburgh Days
St Brides Theatre, Orwell terrace, Edinburgh

Edinburgh Days
Mon 12th, Tues 13th, Wed 14th January
Bob Tomson, the internationally acclaimed director of the musicals 'BLOOD BROTHERS', 'GHOST THE MUSICAL', 'EVITA', 'JESUS CHRIST SUPERSTAR', 'SCROOGE' and 'DREAMBOATS AND PETTICOATS' has partnered up with the ST BRIDE's CENTRE, Dalry to mount Brian Spence's Scottish Musical 'EDINBURGH DAYS' again at the Fringe Festival 2026.
Caroline Inglis (the director) and Brian (composer, musical director) are giving their talents for free to this project, and we are looking for like-minded and spirited members from our talented theatre community to come and hopefully join them. The production opens August 5th and runs till the 31st, with rest days on Mondays.
We're seeking an exceptional company of 26 performers for our 2026 Edinburgh Fringe run of Edinburgh Days.
About The Show: After a successful 2025 debut with multiple 4-star reviews, we're returning with higher ambitions - we're aiming for 5 stars. This means we need a cast that's committed to excellence, ready to rehearse rigorously, and passionate about creating something truly special.
What Makes This Different: . Nightly performances throughout the festival - develop and refine your performance over weeks, not just 2-3 shows.
This is the kind of run that transforms your work . 26-strong cast - be part of a full company creating big, bold musical theatre . Proven material - you're not taking a punt on an untested show; audiences and critics have already responded enthusiastically. 4 star reviews from; "Big and boldly ambitious"(***** The Scotsman), "An excellent piece of theatre, combining history and emotion through a beautiful story of loss and love" (*****All Edinburgh Theatre. com); "Incredibly moving.vocally impressive and beautifully musically arranged" (*****A Youngish Perspective), "Powerful vocals, heartfelt storytelling, and a rich Celtic style create a moving new musical to watch"( *****Edinburgh Review) " A Celtic rock Les Miserables.The concept and the music are fantastic" (Broadway World) "Everything you wish for in a musical, a top notch show" (International Times) . "Wears it's love of the working people of Edinburgh proudly on it's sleeve..Brian Spence's sprawling score has plenty of high points"(The Stage) . Venue St Brides - great venue comfortable raked seating 220 capacity, with bar and cafe . Press and industry attention - returning shows with strong reviews attract more coverage and casting directors . Character development - time to make bold choices, take risks, and truly inhabit your role night after night
Our 5-Star Ambition: We're not just remounting - we're elevating. Expect intensive rehearsals, detailed direction, and a creative team committed to getting every moment right. If you want to be part of something genuinely ambitious, this is it.
We're casting: LEADING CHARACTERS (rehearsing weekends from 11thJuly and then full time from July 18th to Aug 4th) MacGregor - a chancer and rogue, ageing from 30 to 50, who craves after Jean - originally from Skye, ageing from 25 to 45, resourceful, betrothed to Robbie - a naval rating, later petty officer, ageing from 25 to 45, father to David - a young gadabout, charmer, ageing from 18 to 30, who much fancies Catriona - a feisty one, ageing from 18 to 30, under the thumb of her father Dunoon - a bailiff and lay preacher, ageing from 30 to 50, disdainful of: Mary - a harlot, Jean's only friend, and one-time lover of MacGregor, ageing 30-50. ENSEMBLE COMPANY CHARACTERS There will also be casting opportunities for a whole host of colourful speaking/singer characters who populate this epic musical: a hard-headed tavern landlady, sassy mothers from the closes, sailors' sweethearts, teenage hairies, salty seamen, press-gangsters, a naval bosun, young bucks, old drunks, worshippers at the kirk, and all sorts in between. we are also looking for a 10 year old boy, 10 year old girl and 6 year old boy. (rehearsing from July 18thst to Aug 4th)
Once we are into the run of the show you will only be expected to turn up for pre-show warm ups for each show at 6.30pm.
TO EXPRESS AN INTEREST IN ATTENDING, AND TO BE SENT A FULL SYNOPSIS, MUSIC TRACKS AND SOME SCRIPT, SEND TWO OF YOUR PREFERRED AUDITION TIMES AND WHETHER IT'S FOR A LEAD, ENSEMBLE, OR ANOTHER TEAM ROLE TO: info@edinburghdays.co.uk
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Posted 30/12/2025
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Lynden Players
www.lyndenplayers.com   
The Village Hall for Middleton Cheney Village, Northamptonshire
Brassed Off, directed by Kim Freeman
Auditions will be held on Monday 12 January
The play, written by Paul Allen and Mark Herman is a heart-warming story about community spirit and triumph in the face of adversity. Brassed Off is equally funny and poignant and we are delighted that the show will feature live music played by local favourites, the Hook Norton Brass Band. This is a new adventure for Lynden Players- we have of course worked with some brilliant musicians over the past 50 years but never a real life brass band.
There are 7M and 5F characters plus a supporting chorus. Full coaching will be given to the characters 'playing' band members. Rehearsals begin 14 January and show dates are 7-9 May 2026. Synopsis 1994. Yorkshire, England. Returning to her hometown up north, Gloria discovers a community in crisis. The local Pit is on the brink of closure, money is scarce and morale is at an all-time low. Only the Colliery Brass Band is keeping spirits up, sights set firmly on reaching the national brass band championships at the Royal Albert Hall, but as conversations turn to talk of picket lines and redundancy packages, the miners are falling out of tune. Flugelhorn-playing Gloria brings hope to the band and the town. But is she all she seems? And how will the miners react when they find out who she works for? The award-winning film with Pete Postlethwaite and Ewan McGregor tugged the heartstrings of the nation when it was released in 1996 and this version of the story is sure to do the same
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Posted 11/01/2026
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Posted 21/12/2025
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Posted 11/01/2026
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Posted <21/01/2026/font>
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Posted 03/01/2026
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