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Backing Tracks Vs. A Live Band: Which Is Better?

London Arrangements Choosing whether to perform with a backing track over a live band can be difficult. Particularly in musical theatre performances, it’s deemed more difficult to generate an atmosphere and emotional connection with the audience when you’re lacking the raw sounds of real instruments on stage.

However, with technology advancing and the quality of mp3 backing tracks massively improving, could this be a money-saving way that performers should be opting for? Let’s take a look.


Why Choose Backing Tracks?

1. Heavy Style of Music

If your performance includes a heavy style of music (e.g. alt-rock, metal, pop) which incorporates lots of different instruments to add depth and texture to your songs, you’ll want to play to a backing track. This will help you perform your song so that it sounds like an actual pop, rock or metal record. Otherwise, your audience may find that it’s lacking something and hence can cause for a negative effect on their enjoyment.

When incorporating a live band to your stage, you should remember that sadly band members can be slightly flaky. Even if you choose to perform with a band, it’s vital that you have a backup version of their contribution to the song. Whether they turn up or not, you’ll be able to ensure viewers receive music that sounds how it’s supposed to sound.

2. Reduce Expenses

Regardless of the style of music, it’s common for performers to side against taking a live keyboardist or sampler to a performance and opt for a backing track instead. It reduces costs massively. Assuming the instrument can be recorded to a high sound quality, it shouldn’t affect the performance too much - if any - and hence can deliver a great show for the audience at a low cost.

Moving on, even though keyboards and other orchestral instrumentation isn’t normally easy to record and produce high quality backing tracks, artists can still get around this. By using live vocals or adding vocal harmonies where necessary, the band will be able to perform without sounding as though it’s lacking instrumentation. This is a great cost-saving alternative.



3. You Can (Usually) Depend On Backing Tracks

Plenty of band members will share anecdotes of times where they’ve sadly been let down by their own bandmates or by session musicians not showing up. One of the best ways to solve these issues is to use a backing track instead.

Other than human error in forgetting the track, it’s almost always reliable and as previously mentioned, doesn’t cost you a great deal. If you’ve already paid for a no-show band member, this can end up costing a lot for very little gain.


For musical theatre performers, they’ll know that delivering a high-quality show requires many bodies involved. There’s a need for people in different areas such as lighting, wardrobe, makeup and of course, sound. Keeping everyone in check can be hard and so, reducing the number of people involved, reduces the number of no-shows or people turning up late. Plus, it helps to keep costs low too.

Often paying someone to help with the smooth running of your performance can be more expensive than buying a backing track. Unless you’re lucky enough to obtain dedicated musicians and performers. London Arrangements




4. They Don’t Make Mistakes

Continuing with the thought that backing tracks are reliable, they never make mistakes. Other than a potential technical glitch during the performance, they play exactly how you want them to play and exactly how you’ve rehearsed. As a result, it means that you don’t have to worry that they may mess up chords, break a string or hit a bum note.

You can focus your attention on your singing or acting without thinking the band playing beside you on stage will affect the quality of your performance. This helps to keep everything professional and finely polished so that your audience can enjoy the performance they came for.



Why Choose A Live Band?

Looking at it from the other perspective, there are some cons to backing tracks which can be a put off for performers considering using them.

London Arrangements 1. Laid-Back Style of Music

In contrast to the those playing a heavy style of music, there’s those that play laid-back music. As it sounds, laid-back music involves much subtler sounds and consists of fewer, instruments. In the case of artists, they’ll often decide to perform an acoustic or stripped back version of their song, particularly if they’re playing at a small venue in front of a smaller crowd. Here, there’s potential for backing tracks to actually clutter their songs.

Keeping their performance simple with a single instrument, such as a guitar or piano, could give users more of a chance to connect with the performer on a deeper level, feeling as though they’ve seen an exclusive, unique version of your song.

For those in musical theatre, the same can apply. However, as theatre productions usually involve acting, unless a character is known to perform with an instrument, it’s best to stick to a backing track. This keeps the attention solely on the actor and allows them to focus on their lines and stage positioning. Sometimes adding an additional element like playing an instrument can be challenging, even for the best performers


2. Audio Errors

No matter how hard you try to make a performance run smoothly, even the most organised performers can experience technical issues with their backing tracks. Whether that’s the mp3 file itself corrupting, the equipment used to play it malfunctioning or the in-house PA experiencing issues. It’s always good to have backups, whether that’s multiple versions of your backing tracks, a tablet in case your laptop unexpectedly breaks or spare chargers.

Alternatively, you could look at bringing a single piece of equipment such as a guitar or keyboard to enable yourself to play acoustic in the worst case scenario. However, with technology continuing to advance and teams becoming more skilled to help refine these technical issues, this is becoming less likely to happen.



London Arrangements 3. You Can’t Be Spontaneous

Though being pre-recorded is great for ensuring the performance sounds professional and how you desired, it means that if you’d like to be spontaneous and play to your crowd’s emotions and feedback, you can’t.

This can be deemed as a dangerous game to play as most viewers will want to really “feel” your performance rather than just listening to what they do when playing the same music in their own time.

Though that’s a key point to note for artists, for theatre performers, the need for spontaneity isn’t really applicable. After all, actors are following a thought-out script. Even moments on stage that you may think are planned, aren’t. Funnily enough, if actors have to be spontaneous on stage, it means the performance isn’t running smoothly and hence, can be a performer’s worst nightmare.


4. Little Visual Impact

If you have fewer bodies on stage due to not needing a keyboardist and similar, you can end up reducing the visual impact of your performance. Sometimes having more bodies adds different dimensions to the stage, giving users from either side of the venue, people to focus on and look at.

Not only this, but some members on stage can give more energy in a performance and hence, if you take them out of the equation, you’re likely to reduce the quality of your show and hence the enjoyment for your viewers.



5. Musicians Miss Out on Work

This is probably one of the stronger cons to using backing tracks over a live band. For musicians, it can be a extremely disappointing to feel their skill of playing an instrument - which no doubt took years to master - is being replaced by an mp3 backing track. I believe that’s something most artists who using backing tracks when performing, can agree on.

However, in order to produce a backing track that sounds like the real instruments, musicians are required to give a live performance which is then recorded.

As a result, although this doesn’t open the doors for lots of amateur musicians, it means that in the future, if they can record their performances to a high quality, they’re likely to make money from either selling their backing tracks or from a live concert.



6. People Will Say You’re Doing ‘Karaoke’

Sometimes, no matter how good your performance is and how good it sounds, when using a backing track there’ll be people out there who can’t help but exclaim ‘it’s karaoke’. Sadly, that’s something that’s unavoidable.

However, that shouldn’t be a reason not to use backing tracks if you find them more reliable, affordable and that the majority of your audience still loves your performance. After all, there’s no pleasing everybody all of the time.



Summary

Of course there are pros and cons to using a backing track in a live performance likewise, there are to using a live band. Hopefully, you’ll now have a better idea of the benefits and downsides to each, to make a more informed decision.

Stephen Robinson, London Arrangements


London Arrangements specialises in the production of professional music backing tracks, ranging from stage and screen, swing and jazz, to classical and easy listening genres.


Posted on 07/07/2018

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How To Use Backing Tracks To Give A Great Performance

London Arrangements More often than not, musicians and actors believe that giving a great, engaging performance is only possible when using a live band and vocalists. However, the times are changing and many performers are captivating their audience through the use of their voice AND backing tracks.

Now, we’re not suggesting you forever ditch the drums, vintage guitars and so on but instead, don’t stress that your performance might not be first class if your keyboard player doesn’t show up. It will. This blog post will take you through the how-to’s for using professional backing tracks to give a great live performance.


#1 Understand Your Tracks

The big risk of using backing tracks is that it’s relying on technology rather than humans. If there was a mistake during the performance, a live band is more likely to recover and keep the performance running smoothly, whereas pre-recorded tracks cannot do this. So, how do you avoid messing up your set and using a professional backing track?

1. Understand how backing tracks are constructed to ensure you know what to expect when their played - that’s in a variety of environments.

2. Backing tracks with more ambient sounds are usually easier to work with.

3. Oppositely, backing tracks with distinct percussion, bass lines and other timed entrances will be a lot harder to work with - particularly for beginners.

4. It’s all about trial and error. Don’t hit the stage straight away. Giving a great performance takes time anyway, so don’t automatically assume using backing tracks will be easier but it’s not always the case.



#2 Engage With The Track

Just like you would an instrument, you must engage with the track in order to pour emotion into the performance and keep it real and “raw”. Listen to the instruments and vocals within the track and try to pick out the key sounds and harmonies that are most appealing to you. Focus on these in the performance and really think about the words you are saying during the piece. This way, you will really connect with not only the song but your audience to give them a great, engaging performance.



#3 Involve Your Audience
London Arrangements A good musician will be able to please their audience with their stunning voice and perhaps choreography. Yet, an excellent musician will not only “wow” them with this but will also make them feel like they are a part of the performance. This can be done using the below three key steps:

1. Know who’s listening. You must adopt an approach that will suit and relate to your audience if you want to become one of them. For example, if you’re performing to a small, country-like crowd, being friendly and approachable will be a great way for you to relate.

2. Know your show. It’s important that you thoroughly rehearse your performance so that you can focus your attention on the audience and their needs. Sometimes, having a few plan B’s can also help you make slight changes to the set in case things don’t go as you’d expect. If you know your set well, you can focus attentions to monitor your audience throughout your performance and respond to their actions accordingly.


3. Encourage participation during your pieces, in between or after. If you can get your audience to sing along with you during a song, go for it. By monitoring your crowd you can usually tell if they’re eager to sing along with you or not. If they aren’t, asking them an intriguing question or telling a hilarious anecdote can make you feel more human and personally connected to them.



#4 What Do You Want To Hear?

When you’re performing on stage in front of an audience, no matter how big or small the crowd is, it can be extremely daunting. In order to stun your listeners you’ll have to show you’re comfortable on stage which in turn will help you engage with them and get them involved - see above. But how do you become comfortable on stage when using backing tracks?

If you decide to perform without a live band, you shouldn’t then feel alone, lost or uncomfortable during your time on stage. To combat these thoughts, you should equip yourself with headphones, a wedge or monitor or a mixer that will allow you to hear everything you need to perform well.

    You might want to hear only click in your headphones and have the backing tracks in your wedge or monitor.

    Alternatively, you might feel more comfortable with both track and click in your headphones, or just the track.

    Finally, performers can also derive great success from running both click and track through a mixer placed nearby so that you can control each level in your headphones quickly and easily. - Tom Tom Magazine



#5 Hide The Laptop / MP3 Player

If you’re an avid gig or festival goer, you won’t be a stranger to seeing a laptop on stage during your favourite artists performance. Though, this isn’t something we suggest doing, particularly in musical theatre when ensuring the performance should be as engaging as possible.
London Arrangements Hide the laptop or device you’re using to play backing tracks. It can automatically improve the performance and create an illusion that the music is being played live.

A magician wouldn’t show you how he did his tricks, likewise, you don’t always want to show your audience how you’re creating such a great performance. Instead, you want them to watch in awe.

You may be thinking, that if you don’t have your laptop with you, how will you protect your performance if all things fail? That’s why practice makes perfect - trial your mix in different venues, big, small, long, tall and listen to the sound quality of the tracks. You can always get a trusted musician on stand-by incase errors crop up, though if you rehearse enough, you’re unlikely to come across major problems during the performance so stop stressing and enjoy!


#6 Know What Causes Problems
London Arrangements Just like a musician wouldn’t be able to belt out an amazing guitar solo the first time they play a guitar, you won’t be able to create an amazing performance using a backing track if you don’t understand the technology and gear behind it. This point is quite similar to point #1 but it’s important to stress that knowing your music is crucial to a successful show.

When you’re at a gig or show performing with backing tracks, you’re more than just a musician. Now, you’re also a tech wizard, moving from analog to digital and so, you’ll need to know what can be the cause of any audio problems, just like you would with your instruments. After all, you wouldn’t perform with an out of tune guitar, so why play with a backing track or piece of tech that’s set up incorrect?
As well as knowing what can cause problems on your backing tracks, it’s vital to understand the equipment that is actually playing the music, too. Sometimes the thing creating the poor audio is the machine itself that it’s played on. That, and things like the venue, poor wiring and so on.

Do your research before buying both your professional backing tracks and the machine or device you’ll use to play them. Both are key players in creating a great sounding performance without a live band or vocalists.

    Tip: Make sure the device you play your tracks with cannot receive texts, emails or notifications with sound.



#7 Opt For A Remix

Most musicians will know that not every other musician out there is as dedicated and great at time keeping as themselves. Sometimes, planning a performance with external pianists, drummers or similar can prove to difficult and lead to much disappointment.

However, if your performance demands a drummer but perhaps you don’t have a reliable musician to perform with, opt for a remix. Include more electronic aspects to funk up the song and give your listeners a slightly edgier show.

You don’t have to change much in the music in order to get it sounding great without your backing band. Sometimes, making too many changes can make the track sound too different, though experimenting with additional instruments and vocals can be a huge success!



Summary

To conclude, below is a revised list of how to use backing tracks to give a great performance:

1. Understand your tracks. That way if something was to go wrong such as the timing of the first song starting early or worse, late, you’re prepared for it and know how to correct it.

2. Engage with the track just like you would an instrument. This way you’re engaging with the instruments and vocals in the track, just like you would if they were happening live on stage.

3. Involve your audience by getting them to sing along. This way they’ll be less focused on the fact you don’t have a band playing your music and you’ll get more of a buzz from hearing them sing back your songs.

4. Knowing what you want to hear will help you monitor your performance and vocals as it happens. Using clicks in your headphones and the backing track in your wedge or monitor can help.

5. Don’t let the audience see your laptop. This will help the audience to keep their eyes on you so you’re performance feels more connected and personal for the crowd.

6. Understand what problems can arise from using backing tracks. If you know what might go wrong when you’re on stage using the backing track, you’ll be able to help counteract any issues to keep your performance running smoothly.

7. Remix your song by either stripping it down or adding more electronic elements to it. This can bring a new life to the song and interest the audience by surprising them with a unique version, rather than playing what they will expect.

Stephen Robinson, London Arrangements


London Arrangements specialises in the production of professional music backing tracks, ranging from stage and screen, swing and jazz, to classical and easy listening genres.


Posted on 14/06/2018

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St Luke's Church Players, Brislington, Bristol

Author: Jonathan Rowe ( Secretary , St Luke’s Church Players )

St Luke’s Church Players in Brislington , Bristol celebrate their 30th anniversary in 2018 with “Frankenstein The Pantomime” December 6th – 8th 7.30pm & 2.30pm Sat matinee. This is the 17th show I’ve written for the group since 1991 but only the third panto.

“Frankenstein The Pantomime” also marks the 200th anniversary of the publication of Mary Shelley’s classic horror novel and there are links with Bath, Bristol & Brislington which are incorporated into the panto. Claire Clairmont ( 1798 – 1879) ( Mary Shelley’s step sister) was with her from the time the novel was begun in Switzerland in 1816 to it’s publication in 1818. Much of the novel was actually written in Bath in 1816 – 17, and Claire Clairmont herself was born in Brislington , then a North Somerset village. She never knew her real father or place of birth as it was not discovered until 2010! The panto contains all the traditional elements, ( “He’s behind you”, “Oh yes he is, Oh no he isn’t “etc) along with snippets from the novel, lines of poetry by Percy Shelley & Lord Byron and references to the iconic films “Frankenstein (1931) & “Bride of Frankenstein” ( 1935) directed by James Whale who also had Bristol connections!

Jonathan Rowe ( Secretary , St Luke’s Church Players ) - I am one of only 3 surviving founder members still active in the group.

Posted on 26/05/2018

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Cardiff Fringe Theatre Festival Returns, Bigger & Better

Author: Terry Rosoman
Head of Marketing
TicketSource

Contact:
terry.rosoman@ticketsource.co.uk

The festival will see more than 40 performances across 10 venues in two weeks, bringing the Welsh capital to life.

The Cardiff Fringe Theatre Festival returns for its third time at the end of May, it’s aim: to bring a different flavour of theatre to the city. Affordable ticket prices and performances across many alternative venues ensure that the festival is accessible as possible to the theatre-loving public.

The festival runs from 31st May to 16th June, showcasing an abundance of styles and genres. Unlike other festivals, fringe festivals are open to all performers, regardless of their style or professional or amateur status. The lack of restrictions invariably leads to an exciting, colourful variety of performance, that offers something for everyone.

The festival’s partnership manager, Isabelle Paige, said:

"We have no criteria for the kind of work that can be performed. Everything is welcome, and as organisers, we're keen that all the shows in the festival are treated equally. They're all so different and will appeal to individuals for different reasons.”

Held in many “non-traditional” theatre venues like The Little Man Coffee Shop and AJ’s Coffee House, the performances are a much more intimate affair, connecting you with the performance more than you would in a traditional theatre.

"We like the social aspect of watching a performance in a non-¬theatre venue and took inspiration from the Edinburgh Fringe, where pretty much every pub and coffee shop is transformed into a performance space. Bringing the audience closer to the action.”

So what can you expect from this year’s festival? As usual, a huge array of acts, from slapstick comedy in Bummer & Lazarus to a fusion of storytelling from Weeping Tudor in Everything Changes. With many tickets costing the same as a pint of beer, you can’t go wrong!

The festival organisers believe the festival should be as affordable as possible, so returning this year are the collection of fantastic free events and workshops for people to get involved. Afterall, who doesn't love a freebie! Free events include an introduction to stand-up comedy, a scriptwriting workshop from ScriptDawg, a TV Drama Development talk from the production company, BadWolf and many more.

Finally, new additions to this year’s lineup are the Fringe Presents and the Fringe Labs. The Fringe Presents strand offers a range of fully-polished shows, while Fringe Labs showcases a range of totally new shows before they go out to the public eye.

Event sponsor, TicketSource - the free online box office solution, will again be organising the coveted TicketSource Festival Favourite Award, awarded to the standout performance at the festival, as voted for by the audience members themselves and a panel of judges. It’s a great opportunity for audience members to have their say and give the performers the recognition they deserve.

TicketSource will also be premiering a brand new award, the festival’s first TicketSource Script Writing Award with a £100 cash prize! Open to everyone and anyone, the competition involves submitting a short script written around a chosen theme. The three best scripts selected by a professional judging panel will have the opportunity to have their scripts performed live at the festival’s closing party on the 23rd June at The Gate, Cardiff. The chosen winner will also be taking home the £100 cash prize. So wet your pens and get the creative juices flowing!

TicketSource’s Head of Marketing, Terry Rosoman said: "It’s an honour to be involved with the Cardiff Fringe Theatre Festival again. Fringe festivals like this are a great way to showcase a diversity of theatre talent from across the country and productions that might not otherwise find a place in the city’s mainstream theatre venues."

The festival starts on 31st May and runs until the 16th June.

Full details and tickets for the 2018 festival programme can be found at www.cardifffringetheatrefestival.co.uk

Information on how to vote for the TicketSource Festival Favourite Award or enter the TicketSource Script Writing Award can be found at www.ticketsource.co.uk/blog/Cardiff-Fringe-Festival-Awards-2018

Posted on 22/05/2018

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Anything Goes for local Reverend who "misses the boat" as Bishop

Author: Norma Phillips
Secretary of
Teesside Musical Theatre Company

Contact: nphillips6@gmail.com

Reverend Peverell, Vicar of Great Ayton with Easby and Newton under Roseberry is taking part in our production of Anything Goes. He feels this is the only chance he will ever get to be a Bishop.
“Anything Goes” for local Reverend who “Misses the Boat” as Bishop

Teesside Musical Theatre Company were very pleased when Reverend Paul Peverell (fondly known locally as Rev Pev), Vicar of Great Ayton with Easby and Newton under Roseberry, accepted the invitation to take part in their production of “Anything Goes”, and he has admitted himself that this could be the nearest he ever gets to being a Bishop. Unfortunately, his role as Bishop Henry T. Dobson also means he will be arrested and physically dragged off the Cruise Liner S.S. American by the F.B.I. in the opening scenes (another new experience for Rev Pev). Let’s just hope that he abides by his own philosophy of not holding onto any grudges.

Rev Pev is not a stranger to “treading the boards” but is more likely to be seen as a pantomime dame, an indication that he is not your “run of the mill” Reverend. Anyone whose marriage in the parish of Great Ayton involved the Reverend’s bride and groom puppets would agree that the experience was truly unforgettable. Teesside Musical Theatre Company’s production of “Anything Goes” promises to be just as unforgettable with the Reverend as part of the cast.

Come and join in the fun and enjoy a wonderful evening of song and entertainment with this classic musical by Cole Porter including some of his most popular songs such as “It’s Delovely”, “I get a Kick out of you”, “Anything Goes”, “You’re the Top”, “Friendship” and “Blow Gabriel Blow”. Teesside Musical Theatre Company’s production of “Anything Goes” sets sail at Middlesbrough Theatre from Wednesday 25th April to Friday 27th April at 7.15pm, Saturday 28th April at 1.15pm and 6.15pm. Tickets cost £15 for adults (Eve) and £12 (Sat Mat), under 18’s £10 for every performance, and can be ordered from TMTC’s Ticket Secretaries on 01642 275970 and 01287 635259 or from the Theatre Box Office on 01642 81 51 81.

Anything Goes Anything Goes

Posted on 22/03/2018

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Shout Out Drama

Shout Out Drama
www.shoutoutdrama.co.uk

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Hoop Awards - Vote for Shout Out! - We're Finalists!!



I have some GREAT news, Shout Out! has been short listed for the new Hoop awards and we are so excited!

Shout Out! has been running weekly and holiday drama, crafts & other creative classes for families and children aged 1-10 years old. To date I have been lucky enough to meet and work with hundreds of amazing people, including you, who have shown me nothing but support,encouragement and love.

I feel honored and overwhelmed to have been nominated for this award as I know Hoop is a great tool for helping parents find classes and activities to do each day with their children- and there are SO many out there.
It also proves that all of the hard work that has gone into making Shout Out! accessible, affordable and fun, has been so worth it.

Shout Out! have made it into THREE categories;
- Best for Toddlers

- Best for Creative Fun

- Best for Mini performers

it would be amazing to win as the prize is an extensive marketing package which would be fantastic in helping me to reach even more families and children to offer fun, creative and affordable classes to.

Please follow this link to vote and feel free to add in any additional comments :)

CLICK HERE TO VOTE

I would love your support and you could even win 1 of 3x £100 vouchers Hoop are offering for your vote!

Thank you and I really appreciate all of your support :)

Hannah Ball



Posted on 08/03/2018

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Scherrikar Bell

Scherrikar Bell talks about how she Carved out her acting Career.



Tell us about your career. When did it start? How did you discover your talent?

My career as an actress began when I was 21! I randomly went to an open audition for the off west end play "Oh What a Lovely War!" I auditioned and got the role! It was so surreal as I was currently studying at University and never saw myself as an actress. But my mind set changed because of this role. I used the rehearsal process as my training ground, I learnt so much from the director Deidre Malynn and from the cast. It was on stage that I realised how powerful and satisfying comedy was to me. My character was a comedic soldier and nearly every other word I said was a gag and had the audience in stitches. I made it my mission to never forget that feeling and to fulfil my new dream as an actress.


Did you not feel an urge to act from a younger age?

Well I always loved watching movies as a child I grew up watching Die Hard, Rush Hour and Disney Movies on repeat! I loved the escapism effect it had on me. I would reeanact scenes with my siblings and cousins and perform it to our imaginary friends, we were way too shy to show it to our parents. It is only now that I am older I realise that I was 'acting' from a young age, but at the time it was just a way of having fun.


What is it that draws you to acting?

Many things. I love transforming my mind and body into the character I am portraying and love the feeling of telling a story. The best result is when I have resonated with the audience and they truly empathise with the story or my character.

How did your career unfold?

Well my second job was an independent comedy feature film called "Le fear 2". The majority of the film was improvised which was pretty cool and allowed me to be so free with my comedy again which was fab! After that I put a show-reel together and got an agent. This then opened more doors for me. Over the years I was cast in Eastenders, BBC Doctors and Netflix's Todd Margaret. All of these shows were great to work on. I was then cast in Bridget Jones's Baby movie which was awesome. And then led in two commercials one for HSBC and Soap and Glory Skincare.

Scherrikar Bell

Scherrikar Bell

What was a great moment for you as an actor?

Well my family seeing me on Eastenders was pretty cool because it was a hugely successful point in my career in their eyes. However, I personally thoroughly enjoyed being on the Star Wars VII set with Andy Serkis. It was a three day test shoot where I was cast as Maz Kanata who was finally played by Oscar Winner Lupita Nyongo. I got to really dig deep with this character and change my body, voice and mind. I got to work alongside Andy Serkis king of Mocap! and I got to work on the set of Star Wars. That moment in my life was just beyond fulfilling.



What are your future aspirations?

My goals for the future are to conquer American television. I would love to lead in a sci-fi TV series or comedy show.


Are you working on anything at the moment?

Right now you can see me modelling for the Soap and Glory Skincare and beauty commercial. And a few weeks ago I wrapped on a British Red Cross movie shot as a VR Immersive film.


What advice would you give to young and new actors?

I would say go and get some training whether it is for a few years or a few weeks! You will always benefit from having some training. Also remember it is a marathon not a race, take your time and keep at it. Also be the best you can be on set, in the audition room and in class you never know who is watching!



Posted on 25/02/2018

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