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The Brighton Academy

As you know
Three years ago, myself and three other similar Brighton based performers opened a performing arts college in Hove with one sole purpose: to give young singers, dancers and actors of any financial background, professional training rivalling anywhere else in the country.
We have made our training affordable for all. This means the only criteria that we look for in our yearly auditions are talent and potential, thus ensuring that no talented young performer gets left behind based on their parent’s financial state.
This philosophy has been backed by some of the country’s leading professionals including Tony and Olivier Award winning choreographers and directors Matthew Bourne and Stephen Mear and star of stage and screen; David Essex. Not to mention the performers who travel to Hove every day from London to teach our students.
It is this backing that has allowed us to help, so many local up and coming performers, that otherwise would have had no chance of affording college whilst giving them the chance to train with the west-ends finest and have a real shot at an incredible career on the stage.

I am writing to you as I believe we may have an interesting story (or three) for your Community News. On the 27thMarch, our premier graduating year performed in their industry showcase, “Making Waves” at the Leicester Square Theatre, in London's West End and from this gained representation from some of leading theatrical agents in the business!

Secondly, based solely on the strength of the Showcase, The Brighton Academy was awarded “The Inaugural Cameron Mackintosh Bursary” from the DCD (Dancers' Career Development).

And finally, on top of all of that, our students are already fulfilling their dreams by being offered professional work in such shows as “Jesus Christ Superstar” – U.S. Stadium Tour, “Shrek the Musical” - U.K Tour, Slickly Ballroom – U.K. Tour and acting in the upcoming motion picture, “Fraternity” - MCN Productions.

I hope you agree this is newsworthy especially if you think that all of the students involved couldn't afford to go to such an establishment elsewhere and would have given up on the their chance to realise their promise as professional performers.

If you would like anymore information please don't hesitate to contact me via email or phone.
Kind regards,
Stuart Dawes :TBA Co-Principal
www.thebrightonacademy.com
07976625270 / 01273 711312info@thebrightonacademy.com


Posted on 03/05/2014

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International Gilbert & Sullivan Festival

Who would have thought that a comment at the Festival’s Magic of G & S Symposium last year would lead to a first Global Gilbert and Sullivan Day celebration that really has captured the attention and imagination of the world. And not only the artistic imagination but also the technical imagination. Saturday May 3rd – Richard D’Oyly Carte’s birthday - will see a dinner in St Andrews, Scotland linked to a dinner in Bingley, Yorkshire, to a “flash mob” in New York; a champagne celebration in Melbourne Australia and surprise contributions from Cape Town, Brussels and Gosforth in the UK.
It’s all being done by Skype co-ordinated by the Smiths in Halifax who have gathered a party of 80+ Brits for a whole weekend celebration which includes egg, ham and strawberry jam fare on a barge trip up the Leeds-Liverpool Canal; a Pirates Sherry reception (with sausage rolls), luncheon bell and off to the banquet they press – with a toast from Ian Bradley sitting in Scotland to the “Immortal Memory of Gilbert and Sullivan” responded to by Andrew Crowther ( Secretary WS Gilbert Society) and Stephen Turnbull (secretary Sullivan Society) sitting in Bingley. Richard Gauntlett will propose the toast to “ G & S performers and lovers….” There’s a title with plenty of scope! Ian Smith will respond.
And we are hearing of many other celebrations. people are inviting guests for barbecues in Britain and toasting G & S. People have said they will sing Hail Poetry in their gardens at around 4.15pm EST ( 9.15pm in the UK) and a ridiculous hour “Down Under.”
What will you be doing? Let us have details of your celebration that we can add to a short film we will make commemorating the first annual Gilbert and Sullivan Day – the first we hope of hundreds more!!!


Posted on 03/05/2014

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Official Press Release from TRW on GHOST THE MUSICAL Acquisition
GHOST THE MUSICAL JOINS THEATRICAL RIGHTS WORLDWIDE’S BROADWAY DIVISION
MARCH 6, 2014, New York City, New York
For full article see www.theatricalrights.com/

Theatrical Rights Worldwide (TRW)
FOR IMMEDIATE RELEASE

TRW President & CEO Steve Spiegel

Leading musical theatre licensor Theatrical Rights Worldwide (TRW), announces exclusive representation for stock and amateur rights for GHOST THE MUSICAL. The show was nominated for three Tony Awards, five Olivier Awards and is still successfully touring North America and the U.K. The musical joins a roster that includes Tony Award-winners MONTY PYTHON’S SPAMALOT and MEMPHIS, THE ADDAMS FAMILY, and THE COLOR PURPLE.
Based on the Paramount Pictures film written by the musical’s book writer Bruce Joel Rubin, GHOST THE MUSICAL features a pop-rock score by Dave Stewart (EURYTHMICS) and six-time Grammy Award winner Glen Ballard. The iconic “Unchained Melody” written by Hy Zaret and Alex North, complements the musical journey of this beautiful story.
Dave Stewart


GHOST THE MUSICAL’s national and UK tours will end August 17 and March 8, 2014 respectively. The title will then available for production by all stock and amateur groups in these countries. Perusal copies are available now at www.theatricalrights.com.
TRW President & CEO Steve Spiegel, celebrating his 35th year in the Broadway musical theatre licensing industry, said in a prepared statement, “Once again we are proud to announce the representation of a new Broadway/West end musical that we can immediately offer to thousands of our pro and amateur theatre groups. GHOST THE MUSICAL magically portrays the beloved story of Sam and Molly in a heartfelt, riveting theatrical telling,” he said. Spiegel pursued representation of the show after seeing both the London and Broadway engagements. “It will be a perennial favorite with professional and community theatres along with high schools for years to come.”
Key Regional Theatre and other professional productions are already booked through TRW including Atlantis Productions in Manila.
Glen Ballard

TRW's Director of Music David Abbinanti
TRW’s Director of Music, David Abbinanti, has created new orchestrations for the show, making it accessible to theatres everywhere. “We have a new orchestration that is scored completely for live musicians and geared for the expertise and budgets of our stock and amateur organizations,” Abbinanti said in a recent interview.
Theatrical Rights Worldwide (TRW) represents musicals from Broadway and Off-Broadway, as well as shows originating in regional theatres and elsewhere. It is our mission to cultivate and introduce new work along with extending the production life of musicals to all theatrical marketplaces.
For further information contact:
Theatrical Rights Worldwide
marketing@theatricalrights.com
570 Seventh Avenue, Suite 2100
New York, NY 10018
www.theatricalrights.com/ghost-musical

Read These Words from GHOST Writer Bruce Joel Rubin
As the hugely successful U.K. Tour of GHOST THE MUSICAL drew to a close this past weekend, the creator of the show reached out to the hundreds of thousands of fans of the show with this beautiful statement, released via the tour’s official social media sites on Saturday, March 8, 2014:
To All of Our UK fans,
Bruce Joel Rubin
“When I wrote GHOST as a movie nearly 25 years ago I never dreamed that people would still be talking about it all these years later. And I never ever imagined that they would be singing its songs (I never imagined that it would even have songs) or that people would see it repeatedly in theaters all over the UK. I am told that there are people who have seen it 50 times (besides the producers) and I am overwhelmed by the love and support you have offered all along the way. From the moment we opened in Manchester, almost three years ago, I could feel the roar of approval and joy that filled the theater night after night. I can even feel it now. Thank you for that gift. Thank you for embracing our show, for caring about it, for believing in it. You are why we made it. It is my deepest hope and prayer that the love inside – you take it with you.” —Always, Bruce Joel Rubin
www.theatricalrights.com/
We’ve just announced the general release of Performance Rights for this hot new pop-rock show!

Adapted from the film by Academy Award-winning screenwriter, Bruce Joel Rubin, GHOST THE MUSICAL features a hot rock-pop score by Dave Stewart (Eurythmics) and Grammy Award-winning Glen Ballard. This exciting “new show release” is for pro & community theatres everywhere.
Read, listen…BELIEVE! We are so excited for the hundreds of productions around the world that will be coming for GHOST THE MUSICAL!


Posted on 22/03/2014

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Darlington OS
Stage Darlington has gratefully received the donation which will be used to upgrade the fire alarm facilities at Stage Darlington’s premises in Darlington.
The upgrade will enable Stage Darlington, which has 26 members on its books, to comply with fire safety regulations in order to host live performances.
Julian Cound from DarlingtonOS said “I read that Stage Darlington needed £3,000 to upgrade their fire alarm system and instantly contacted other committee members to see if we could help. The benefit people get from performing is immeasurable and for Stage Darlington to be in a position not to be able to allow their members to show an audience what they had been working on just seemed wrong to me.
“Hopefully our donation will ensure Stage Darlington members experience the thrill of thunderous applause at the end of their next production.”
Stage Darlington director Julie Cormack said “We have made many improvements to our studio including new ceilings and car park funded by The Big Lottery Fund. Installing a new fire alarm system will mean we can stage performances in-house that is a familiar environment where all our members can take part.”


Posted on 22/03/2014

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Phoenix Theatre

Local amateur theatre, dance and arts groups, students and professional production companies are set to benefit from the re-launch of a new performance space in Swindon.
Phoenix Theatre is rising again – not from the ashes, but into a cultural centre for the community. The theatre was opened in 2003 in Swindon’s New College, and has been a platform for performing arts students, but now Phoenix is reaching out to a wider audience.
Spearheading the relaunch is Matthew Clift, theatre production manager and lecturer. He said: “We want to let people know there is another professional theatre in the town. We have a new box office which we have renovated and as BTEC performing arts is a vocational course we sign up two students for box offices duties.”
The theatre has a huge festival of arts lined up for this year kicking off with a Halloween project that is a joint production between Whole Hog, the resident theatre company, and drama students.
“We are doing a scary show on Halloween night,’’ said Matthew.
“It is a new play, Call of Cthulhu, which evokes ancient rituals, paranoia and blood curdling creatures, all brought to life in an atmospheric staging that will explore the depths of horror.”


Posted on 22/03/2014

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Ray Cooney is to direct his 1984 play Two Into One at London’s Menier Chocolate Factory this spring.
The show will run from March 8 to April 26, with press night on March 19.
Design is by Paul Farnsworth, lighting is by Paul Anderson and sound by Gregory Clarke. Casting has yet to be announced.


Posted on 22/01/2014

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RSC Open Stages kicks off
Having received nearly 200 applications from amateur theatre groups across the UK, the Royal Shakespeare Company along with 6 partner theatres will work with the 86 selected amateur groups to support them with mentoring and workshops to create their own RSC Open Stages production in their own venue. The project began last weekend on the weekend when all 86 directors (pictured) came together for the first and only time in Stratford-upon-Avon to participate in two days of skills workshops led by the RSC’s own team of theatre practitioners.
Just a few examples of the huge range of work being done by over 2,500 participants (the oldest being 80 and the youngest 8 years old), include the Royal Navy performing A Midsummer Night’s Dream, Henry V in a Norman Castle, a Sci-fi Tempest in a village hall in Oxfordshire, a Gulf War set Titus Andronicus in Edinburgh, a female King Lear in London, and a Hamlet in the style of a Danish Crime Drama in St Andrews.

RSC Open Stages producer Ian Wainwright commented: ‘The RSC is once again excited to continue to collaborate with just some of the million amateur theatre-makers in the UK. The RSC understands the skill, commitment, energy and passion it takes to make theatre happen. We therefore have a huge respect for those DIY, grassroots theatre-makers who create theatre in their spare time often on very limited resources. Open Stages looks to share some of the processes, techniques and ideas of professional theatre making, while allowing the RSC to learn about, and be inspired by, the work of people with a real passion for the craft of theatre.’


Posted on 24/12/2013

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The Spread Eagle Pub Theatre
The alternative choice of theatre is continuing to grow with the opening of a new studio theatre in Croydon. The Spread Eagle Pub is opening a new 50 seat studio theatre which opens on October 2. The theatre will open on the pub’s first floor where they already host film screenings.

Fullers Brewery already has one pub and studio theatre, The Old Joint Stock, in Birmingham and they will be presenting a season of new work to celebrate the opening of The Spread Eagle Theatre.

Tim Hodgson, Artistic Director of the Old Joint Stock Theatre Company says: "If this goes well, the Spread Eagle Theatre will launch as a permanent venue early in 2014, with a minimum of one week-long production each month, again strictly professional small productions, specialising in new writing.

"We are really looking to get people in Croydon behind this new venture, especially given the dearth of arts venues in Croydon at the moment."


Posted on 24/12/2013

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Jane Lockyer Willis


Member of The Society of Women Writers & Journalists.
To see scripts by Jane click here


I trained as a teacher of English, speech and Drama at The Guildhall School of Music & Drama - AGSM LGSM and I'm an Associate of LAMDA. After college, I did some pro acting, amdram and later BBC World Service radio acting (plays) For many years I ran my own company, Speakwell Communications and taught adults speech training and all of that. I have been published main stream: SPEECHES AND PRESENTATIONS and am part author of THE COMPLETE SPEECHMAKER. I continue to act and now write plays.
ABOUT WEBMASTER PETER

Peter set up and has run DramaGroups.com for a few years now. I was one of the first people to go on his site and just want to say a few words about what he has achieved.

Dramagroups.com is a theatrical haven. Serving as a central site for groups and societies, it has developed and grown over time.

A mine of information, you can advertise shows and auditions; track lyrics; look for props and costumes; find or advertise a script and so on. There is even a 'Swap ideas' section. The site is well laid out and user friendly. It is uncluttered, full of information, attractive and welcoming.

Peter works tirelessly. In my experience he answers emails promptly, is extremely helpful and polite and gets the job done efficiently and as fast as he can. With so many people to deal with, I think this is admirable.

Without sites like Dramgroups.com, amateur theatrical life would be a great deal more difficult. I remember the old days, when one had to search all over for this or that prop, root out prospective actors who were reluctant to take to the boards, and hope to goodness that audiences would turn up on production nights. Now, with this sort of publicity and help, we can find like-minded folk who are only too happy to apply for parts, write plays, produce plays, swap a script or write a lyric etc. And all of this is due to Peter's inventiveness - someone who has recognised the needs of others, so that we can make use of all the varied facilities.

So from me, a BIG THANK YOU PETER for your help, guidance and support.

JANE LOCKYER WILLIS

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Response dated 13/10/2013
Name: Michael Collins email michaelc76 'at' outlook.com
Background: Member of Belmont Theatre Company
Article Title ABOUT WEBMASTER PETER:
Comment: I have only recently got to know Jane when she joined our Amateur theatre company and I played opposite her in The Hollow and now she is in our current sell out production of “A Woman of no Importance” by Oscar Wilde. A very generous actress and a lovely talented lady with great style.
Certainly I shall encourage Belmont Theatre Company to use this valuable site in the future.

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The South Devon Players


Press release

London sponsor backs Brixham theatre group’s epic stage production of Les Miserables: The Memoirs of Jean Valjean for a further performance at the Palace Theatre, Paignton, on November 16th 2013.
In September, the South Devon Players, an award-winning amateur theatre group from Brixham, performed their own production, of Les Miserables, as a three hour full-scale non-musical stage drama written directly from Victor Hugo’s novel.
This production was very well received by audiences, with standing ovations, comments such as “flawless”, “spellbinding”, “awesome” being commonplace, and one couple on holiday from Taunton, stating that they felt the production of be of a higher standard than a professional production of The Tempest which they had recently seen in Stratford Upon Avon.
Also present, was Murray Keene, a professional photographer and film maker from London, who was so impressed by the production, in his words “spell-binding”, that he is now sponsoring the South Devon Players to be able to go where they could not afford before, into the Palace Theatre, Paignton, for a final performance of this show, at a low ticket price, as he believes that the show should be seen more widely, and that the South Devon Players in future should be able to afford to perform in larger theatres, and is hoping to fill the theatre for this show, and then to work with the Players again in 2014.
The tickets are now available from the Palace Theatre box office (Tel 01803 665800) priced at £3 each.
Les Miserables: The Memoirs of Jean Valjean is a dramatic new 3 hour show based directly on Victor Hugo's novel. Suitable for the whole family, this brings this classic tale of love, redemption and revolution to life in a thrilling new production written by our secretary, Laura J, and premiering with the South Devon Players.
This is a huge production, the biggest by far that we have ever undertaken, it has attracted positive interest & compliments from Hollywood celebrities, and the original show “run”press release is featured on one of the biggest Broadway websites in their "international" section. An international theatrical script agent is also currently looking into making the script available to other theatre companies.
All in all, a show not to be missed!
The South Devon Players are an award winning, small, family-friendly, completely non-profit, community theatre / amateur dramatic group based in the beautiful fishing port of Brixham; Devon (in South West England) and we perform theatre shows around Torbay, and South Devon, based on historical events, usually local history & legends although we sometimes do also cover wider historical events.
Founded in 2005 with the proceeds of a car-boot sale, then winning the Torbay Together Arts In The Community Award in 2010, and appearing on BBC1 national television in 2012-2013, the majority of our shows and projects are about local history and mythology of the South West, and are written by local authors. It is part of our ethos to promote the history of Brixham, Torbay and South Devon. We sometimes deviate to perform plays based on famous classical stories or other wider historical events, but our main focus is, and will always be, the history of the Southwest.
We consider it a vital part of our raison d’etre to be able to keep ticket prices affordable for everyone, and bring theatrical experience to a wider audience. We also do our best, where possible, to support other local non-profit events or entertainment groups working within the community
Les Miserables Tickets are £3 each, from
The Palace Theatre, Paignton.
Box Office, Palace Theatre, Palace Avenue, Paignton TQ3 3HF Tel: 01803 665800
Contact info 'at' palacetheatrepaignton.co.uk


Posted on 02/10/2013

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New Victoria Theatre Woking Dear Theatre Friends,
We have been busier than ever at the theatre in Woking with the restoration and painting of our auditorium and what will be the unveiling of our newly refurbished mid level bars.
We look forward to welcoming you to the plush new setting and of course experiencing the new atmosphere of the Piano Bar.
So, you will find a new format of our offers that are being released, don't miss Paul Michael Glaser as Tevye in Fiddler on the Roof in October, directed by Craig Revel Horwood...
All the details on the attachment "Back to the Theatre for September"
In addition our online brochure and the reduced rates for groups of 10+.
Looking forward to seeing you all again after the extended holiday.
Catherine Wade
District Publicity Assistant
The New Victoria Theatre, Woking
0118 375 3392
cathywadenvt 'at' googlemail.com
www.ambassadortickets.com/woking


Posted on 09/09/2013

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Gillingham Dramatic Society

GDS Productions Logo Competition has now closed
After a big deliberation from the committee we can finally announce the winner of the Logo competition.
It was a very hard decision due to the extremely high standard of entries that we had put forward.
We so pleased to announce the winner is: Dani Gillespie.
Her design is now with our talented designer Rebecca Lehmann.


Posted on 09/09/2013

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Gillingham Dramatic Society

GDS Productions Logo Competition has now closed
Winner to be announced soon!


Posted on 03/09/2013

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London Drama Group (LonDram)

LONDON DRAMA GROUP CHOOSES 3 SHORT PLAYS TO PERFORM IN JAN 2014 + NEW CHAIR
3 PLAYS TO BE PERFORMED REQUIRE ACTORS

On 3 September we read and chose three short new serious plays to rehearse starting September with a view to performing them in January 2014. They are:

‘A SHOUT IN THE DARK’ by Bill Saunders (LonDram member); spooky, low budget, 4 characters 2F 2M, duration 11 minutes
‘SMOKE AND MIRRORS’ by Rhiannan Falshaw-Skelly (LonDram member); murder investigation suspense, low budget, 6 characters 2F 4 M/F, duration 18 minutes
‘THE COUNTRY OF THE BLIND’ by Roger Geoffrey Clark (LonDram member); emotive drama adapted from H G Wells’ short story, low to moderate budget, 12 characters 6M 3F 3F/M, duration 22 minutes
The overarching theme that therefore emerges thus far is ‘Spooky/Intriguing/Suspense’.
Performance time of the three plays totals approximately 51 minutes, meaning that with scenery changes plus an interval of 15 minutes we still need to find two more short plays totalling about 30 to 50 minutes to complete a programme of 110 to 120 minutes.
We agreed that Russell Leeburn’s idea of staging a final or penultimate comedy to counter the heavy-going serious natures of the above plays is a good one ... maybe a comedy to end the programme will avoid nightmares? We have asked Tinaz Denizmen (LonDram member, playwright actress and musician), to consider adapting her very short play ‘HOW TO FLY A ‘PLANE’, intriguing fantasy aboard a train, low to moderate budget, 2 characters 1F 1M, duration 8 minutes (which we read and liked but liked less than the others as it does not fit the overarching theme) to become a comedy to comply with this requirement. If we don’t have a comedy to end on, the programme could be over-heavy on the emotions.
We agreed that minor adaptations are required to ‘SMOKE AND MIRRORS’ and ‘THE COUNTRY OF THE BLIND’ in order to realise them on a stage; to avoid possible confusion on the part of the audience in the case of ‘SMOKE AND MIRRORS’, and to increase aggression in the case of ‘THE COUNTRY OF THE BLIND’.
Our own Dominika Visy is willing to be Director of all three plays, although this is a tall order and we have to seek different Directors for the remaining plays still to be chosen. The playwrights may have to be pressed into service as Directors, no bad thing.
It was agreed that we would rehearse the three plays at either VINTERS STUDIO in Streatham, London SW16 or at the AMERICAN CHURCH, Tottenham Court Road, London, commencing on Monday 16 September, the choice depending on cost.
This is a major milestone reached in our history folks!

ADMIN NEWS:
Acting Chair Roger Geoffrey Clark announces that owing to increased personal commitments over the next few months he hands the chair to Gemma Louise Rose with effect from 1 October (while continuing to be involved himself). Gemma has enthusiastically agreed to take this role on. Gemma has vigour, ideas, spirit and leadership qualities. This is so wonderful! - thank you Gemma! Tinaz Denizmen will help establish her in the role.
We now have a bank account specific to LonDram. It is an HSBC account. As of 4 September it has £10 credit in it donated by Roger Geoffrey Clark. More donations needed! Details are:
BANK: HSBC - BRANCH: Gravesend - SORT CODE: 40-22-20 - ACCOUNT NR: 71824058
Rehearsal space costs £15 phr for Streatham, £33 phr for American Church so kindly put some money in.
We need to change the name of the account to “London Drama Group” and to do that we need two of our number to become cheque signatories. Volunteers please! ... then we can convert the account to a ‘community account’ bearing zero bank charges.
Eight interested persons attended our third meeting at “The Globe” on 3 September 2013:
Roger Geoffrey Clark (playwright and actor), Gemma Rose (actress and musician), Tinaz Denizmen (playwright actress and musician), Bill Saunders (writer), Zayne Iyaniwura (actor), Shaifur Rahman (playwright), Natalie Moska (actress), Dominika Visy (Director).
Next meeting: Monday 16 September at 1900, venue TBA, Streatham or American Church
We need an administrator to update our website www.londondramagroup.webs.com and also someone to update entries for our group on www.andram.co.uk
This newsletter prepared by Roger Geoffrey Clark 4.9.13 TEL: 0752 871 5038

Posted on 05/09/2013

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Chester's New Theatre
The new theatre is ideally placed in the centre of the city where it will ensure it is inextricably linked and connected to its community – this will be a building for everyone to use and people will connect with it in many different ways.
The highly respected local company Chester Performs will be charged with shaping and crafting a programme of high quality shows and activity throughout the year. As well as producing and hosting shows and activity in the new centre they will continue to produce their acclaimed open-air theatre seasons in Grosvenor Park.
The auditorium will seat 800 people in a traditional proscenium arch model. A thrust stage format will Provide seating for up to 600
Provide a stage suitable for the highest quality touring productions of this scale
Provide a stage suitable for a produced season of work in the Summer and at Christmas
Provide a dynamic yet intimate relationship between performer and spectator
It is likely the preferred layout for the touring work will be a proscenium arch with an orchestra pit. An elevator providing a range of options will form the basis of the orchestra pit system:
Orchestra Pit – for approximately 35 musicians
Forestage extension / apron
Wagon with additional seating
Full arcticle at Chester's Theatre, Library & Cinema

Posted on 21/08/2013

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Back End Productions

Ugly Sisters, Fairy Godmothers, Slippers & Horse Burgers:

Back End Productions is Back… OH YES IT IS!

A new pantomime from Back End Productions at the Theatre Royal Drury Lane,

One Night Only! Sunday, 15 December 2013

All profits going to The SilverLining (www.thesilverlining.org.uk), a charity helping brain injured people rebuild their lives through helping others

Sponsored by Christie's, Hanson Asset Management, Field Fisher Waterhouse, Sweettree Brain Injury Support and Johnny van Haeften Old Dutch Master Paintings

Costumes at the ready! Get ready to dance in the aisles. West London’s best loved amateur dramatic pantomime specialist, Back End Productions, is back with a brand new panto Cinderella – working title “Boom or Bust!”. Did you know that Cinderella’s first ever performance in the UK was at Drury Lane in 1904? Back End Productions brings Cinderella back to Drury Lane with their latest spectacular production! Giving money to charity has never been such naughty fun, so get a gang together for this raucous black tie gala night out.

Returning after a well-earned break, highly acclaimed Back End Productions has created Cinderella Boom or Bust!, a unique and very modern fairytale pantomime for grown ups (recommended age is 14+). The show conforms to all the traditional panto stereotypes but also goes a little bit further! This one night charity show at Drury Lane in West End will be performed by a group of 50 cast members supported by semi-professional dancers and singers.

With lots of humour and innuendo this will be the perfect pantomime for those who, like another famous panto character, never grew up. This brand new witty, farcical, and at times a little bit sexy, pantomime presents the whirlwind of Ugly Sisters, Fairly Good Mothers, slippers and pantomime horse burgers. The audience is set to be surprised with a mixture of situation comedy and contemporary material with a grown up “Carry On” tone.

Founded fifteen years ago, Back End Productions has become renowned amongst the London theatrical scene for its original, themed and musically diverse pantos, as well as for the ability to throw an after party that shows Prince Harry how to do it! The group was founded by three friends who met while at St Andrews University and put the hugely raucous Kate Kennedy Club panto on there – where the student audiences historically pelted the brave performers with rotting fruit and veg as part of the fun while the actors played on. Health and safety got in the way of that in the end, but the shows got a reputation for audience participation and dancing in the aisles to a cracking backing band smashing out classic anthems, big cheesy disco tracks and set piece choreography that carries through to today.

Having got down to London the boys decided to keep the tradition of the pantomime alive, keep raising money for great causes, and keep them sane in the madness of London working life.

Since foundation, Back End Productions has raised over £250,000 and has played matchmaker to four couples! Profits from this year’s production will be donated to The SilverLining, a charity helping brain injured people rebuild their lives.

Cinderella – Boom or Bust! will be shown on Sunday, 15 December.

Running time is approx 2hrs 30mins including interval and as Back End’s regular audience will know – the party has only just begun. All profits will be donated to: The SilverLining, a charity helping brain injured people rebuild their lives through helping others.
For further details and booking, please visit www.backendproductions.com (site under construction) or email: cinderstickets 'at' outlook.com to register for tickets.
Ticket prices
Balcony £10.00 – £20.00
Grand Circle £20.00 - £25.00
Royal Circle £30.00 and £40.00
Stalls £50.00 and £80.00
Platinum Box Seats £150.00 and £200.00
VIP Sponsor Tickets £350.00 - £750.00 (See below)

The Sponsorship Packages
All Sponsors will be given full VIP Treatment which will include pre-show Champagne reception, free programme(s) and exclusive access to the After Party to meet the cast.
INDIVIDUAL £350 - 2 x VIP tickets plus recognition in programme

CORPORATE 1 £750 - 2 x VIP tickets plus Business logo/name + short description in programme and ¼ page advertising opportunity in programme

CORPORATE 2 £1,500 - 4 x VIP tickets plus Business logo/name + short description in programme and 1/2 page advertising opportunity in programme

CORPORATE 3 £2,500 - 6 x VIP tickets plus Business logo/name + short description in programme and full page advertising opportunity in programme

CORPORATE Primary £negotiable - VIP Tickets full recognition on all marketing media and programme as Primary sponsor and other tailored opportunities at the show

Sponsorship opportunities can be tailored as required. Anonymous donations to support the show are also welcomed.

SPONSOR THE ENCHANTED FOREST OF FINANCIERS – TROLL YOUR BOSS
£1,000 and upwards – sponsor your boss to appear on stage as a Tree (no lines and green tights of course) as part of the Enchanted Forest scene. Imagine the fun we’ll have with the panto horse. Candidates may be assigned to the herbaceous border at your request.

For sponsor information, and advertising please contact: Gavin McNicoll at Back End Productions gavin 'at' hansonam.com

For press information, interviews, high resolution images or a full press pack including cast biographies:
Kasia Maj at Fuel PR on 020 7498 8211 or kasia 'at' fuelrefuel.com

Posted on 20/08/2013

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York New Musical Festival
JIM Welsman may not have planned it this way, but the inaugural York New Musical Festival has a preponderance of women.
“An interesting slant on the festival is that most of the composers are women and even those that aren’t have women as central characters in their shows,” says Jim, former chairman of York Musical Theatre Company and director of the festival, which runs at the Joseph Rowntree Theatre from July 23 to 29.
“Seasons was written and composed by Elaine Pechacek and Katie Hammond; Girl With A Torch by Judit Catan, Confessions Of A Rabbi’s Daughter by Emily Rose Simons; and Francesca’s Passenger by Becky Callaghan.
“Austen The Musical is about the life of Jane Austen; Armada features Elizabeth I; and Lady Luck has three girls competing for the love of one man. Even Cindy Weller is about a modern-day Cinderella.”
The festival will open serendipitously with Antony Irwin’s Lady Luck on Tuesday at 7.30pm. “Unfortunately, Stephen Hodel and David Benedictus’s The Happy Hypocrite had to be withdrawn, but we now have Lady Luck as a replacement, only for one performance right at the beginning,” says Jim.
In Lady Luck, Xander Jackson is a self assured, occasionally cocky 27-year-old working in the city and living with girlfriend, Zoe, but he lusts after a more exciting lifestyle. Promiscuous workmate Madison and demure school friend Paige weave their own stimulation into Xander’s life, and with pulses racing, three thoroughly modern women compete for the love of one lucky guy. Let the games – and the festival – begin.
Full article at York Press

Posted on 20/07/2013

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Taunton Brewhouse Theatre
Taunton's Brewhouse closed in February when its trustees called in administrators BDO
A fresh bid to buy Taunton's redundant Brewhouse Theatre will be considered by Taunton Deane Borough councillors next week.
The much-loved venue closed in February when its trustees called in administrator BDO after running into serious financial difficulty. It has been looking to sell the 61-year lease and the borough council submitted an initial bid that was rejected.
Now, following further talks, in-depth valuation and negotiations, a fresh bid could be submitted if councillors agree. Details of the bid remain confidential and the council has declined to confirm a report that the rescue package could cost taxpayers £350,000. The theatre received a £150,000 annual grant from the council before it closed.
An independent consultant has been appointed to advise the council on options for the future of the venue. The range of potential options and the timetable for their implementation will depend to a large extent on whether, and when, the council acquires the venue.
At this stage, the consultants have met with a range of potentially interested groups and organisations and they are scheduled to complete their work in autumn 2013 – subject to clarification on ownership of the Brewhouse.
If the council acquires the Brewhouse, it could then grant a new lease on terms agreed with a new tenant. If the council does not acquire the lease there is a restriction on assigning the lease to a new tenant. The authority has already made it clear that it has no wish to operate the theatre itself but would be keen to reach an agreement with a potential tenant to take over the day-to-day business as long as they could prove their operation would be financially viable long-term. Any future operation must be proven, to enable a realistic date for re-opening the venue.
Councillor Norman Cavill, who holds the arts and economic development portfolio, said: "A vibrant arts and culture scene makes a significant contribution to the local economy and our commitment to putting growth and regeneration at the top of the agenda.
"I hope that we can agree to submit an acceptable bid and so resolve a very difficult situation. The council can understand the frustrations felt by our community but it's vital that we find a financially viable solution that will secure the future of the Brew-house now and into the future."
The report will be considered by the council on Tuesday and can be read online at www.tauntondeane.gov.uk Members of the public are welcome to attend and can make a comment or raise a question during public question time. However, part of the Brewhouse discussion and the vote will take place during a closed session because of the commercially sensitive nature of the issue.
Full arcticle at Taunton People

Posted on 20/07/2013

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New blow for Preston Playhouse
Theatre bosses trying to raise cash to repair their venue’s roof have suffered a “blow” after 40 stage lights were stolen.
Work to repair the roof of the Preston Playhouse in Market Street West started at the beginning of the month following the launch of a campaign to raise £20,000 to pay for it.
The lights were taken sometime between 24 June and 8 July from the theatre.
The lights had been taken down for annual testing and placed at the back of the auditorium - a member of staff realised they had gone when they came to test them.
Chairman of Preston Playhouse Board of Trustees, Alex Tagg, said: “It is a blow at this time obviously with all the money we have had to raise to have to start finding more money to replace the lamps.
“Because of the roof works currently in progress involving scaffolding around the building our insurers withdrew the burglary and theft cover of the building.”
Mr Tagg said it would cost the theatre in the region of £3,000 to replace the lights.
He added: “Some of the regular users have already offered to help to replace the lights for the start of the season in September.”
PC Emma Jackson said: “If anybody has any information about the theft of these specialist lights I would urge them to contact police.
“Work is currently being done on the roof of the theatre using money which theatre staff have raised themselves so this will have a huge impact them.
“Please come forward if you think you can help.”
The Playhouse’s Raising the Roof Appeal was launched in January to raise cash to repair the roof.
The work is estimated to cost £50,000.
The venue already had £30,000 in reserves and in recent months has been doing all it can to raise the remaining £20,000.
There has been a number of fund-raising shows and the theatre has been supported by its users and private donations.
Anybody with any information on the stage lights should contact police on 101 or Crimestoppers anonymously on 0800 555 111.
Alternatively visit the website at www.crimestoppers-uk.org

Posted on 20/07/2013

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Gillingham Dramatic Society

Competition Time
GDS Productions aims to bring great musicals and pantomimes of a national standard to local audiences.
We are a local drama group that has been performing shows for over 40 years now. Past productions include Oliver! The Wizard of OZ, The Sound of Music and Honk!
We have decided to have a company logo created and have decided to open this new venture as a competition.
All ages are welcome to enter this competition.
Closing date is 30 August 2013 and the winner will be shown and announced on the GDS Facebook Page soon after the closing date.
Please like the page so you can keep up to date.
https://www.facebook.com/GillinghamDramaticSociety
GDS Productions would like to see on the logo:
GDS Productions
You have two ways to enter via email at:
gdscompetition 'at' gmail.com
or via the post at:
20 May Road, Rochester, Kent ME1 2HY
If you send in a postal entry please send a covering letter stating your name and address, please bear in mind that we will not be able to return entries.
The Prize is: 2 tickets to see our fabulous Panto at the brook where you will see your logo in use,
so let your creative juices flow and we look forward to your entries.

Posted on 13/07/2013

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Weymouth & Portland Borough Council

Weymouth Pavilion lease awarded
Weymouth & Portland Borough Council has agreed to award the lease for Weymouth Pavilion Complex to a not-for-profit-organisation.
Councillors considered two bids at their Management Committee (19.06) and agreed to award the lease to Mr Phil Say, who has set up a Community Interest Company.
Now the council will work with Mr Say to sign the lease and hand the pavilion over as soon as possible to the Community Interest Company.
The council agreed to enter into a 10 year lease with the proposed Community Interest Company based on terms agreed at its April Management Committee, and also subject to:
A £150,000 loan by the council, repayable on terms included in the 19 June Management Committee report
A fixed annual contribution from the council of £30,000
The council awards 80 per cent discretionary rate relief
The Community Interest Company meets the costs of car parking permits for staff and volunteers
The Council meets liabilities that may arise from any staff issues (TUPE) related to the previous council-operated facility
Weymouth & Portland Borough Council brief holder for Community Facilities Andy Blackwood said:
"This is a major step in securing the future of Weymouth Pavilion and I am delighted that the council has awarded the lease to Mr Say.
"I am sure that we are all looking forward to the complex re-opening and will do all we can to make sure this happens as soon as possible, and the start of a bright new future for the Pavilion under community leadership."

Posted on 13/07/2013

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MOMENTS OF MADNESS


Contact sheena_clarke 'at' yahoo.com
Pat Clarke's new play," Moments of Madness ", excellent new playwright .
Article Title: www.worldirish.com/event/37932-moments---new-play-showing-in-killinkere-co-cavan

Article Title: www.worldirish.com/event/37932-moments-of-madness-new-play-showing-in-killinkere-co-cavan

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FARMER'S SON WRITES UNIQUE NOVEL
By Mattie Lennon



Im happy now.com

“Im happy now.com” is a gripping tale of our times. The author tackles highly sensitive issues such as bullying head-on while weaving three separate lives into one convincing thread. If you buy one book this year make it Im happy now.com” (Dan Binchy, author.)
Renowned author and cousin of Maeve Binchy was referring to Diarmuid Hudner’s first novel Im Happy Now.com

It comes at a time in which such a book was never more needed. Society has at last woken up to the fact that bullying, in any shape or form, can have a devastating- often fatal- effect on both the victim and the perpetrator.

It is the story of three young people who are the victims of bullying and how they came together to change their lives through a website called www.imhappynow.com. Emmet from Ireland, a self confessed masternerd, isolated by his own idiosyncrasies, finds a friend in alcohol until it too becomes a friend no longer. Ralph from the USA, born grossly overweight suffers from a crushing lack of self esteem and sees the only release from his torment is to attempt suicide. Ming from China, who looks different to other girls uses this the only way she can, becoming a bully herself until she resorts to self-harming to punish herself from her wrongdoings.

The following is a excerpt from Emmet’s “story.”

“Life is better because I am happy. It is because I am happy that I have a life. What makes me happy might make you happy, it might not but that is also life. My name is Emmet. I have been spat upon, sneered at, laughed at, beaten and ridiculed. I have lived in hell for most of my life but I do no longer. My crime: I am a nerd. I have no hatred for those who have bullied me because deep down I know they are not happy doing it. To hurt another is to hurt yourself. I am a nerd but that is not all I am. The best of me is under my skin. I am no longer a slave to other people’s thoughts because no one but me controls what I think.
No one knows you but you. You may be rich, you may not. You may be healthy, you may not. You may be married, you may not. You may never find a partner, you may never be looking. You may have children, you may never have. You may have everything everyone thinks they should have. You may have everything but what you want. A great number of things may or may never happen to you. Life decides those things. Only you decide whether you are happy with what life gives you. I am not religious but I am spiritual. I can be whatever I want to be at any given moment because no moment can be repeated. Happiness is available in abundance; it can never be bought, can never be sold because your happiness is unique to you and you already own it within you. I am happy now because I have chosen to be happy and only I have the power to make that choice. This site is for those who have chosen to be happy now too.”
This work is a novel but were the words of Virginia Woolf ever more apt? “Fiction is like a spider’s web, attached ever so slightly perhaps but still attached to life at all four corners.”
This is not just a story about bullying; it is the story of everyone’s quest to be happy and the realisation that you and only you are in control of your own happiness. It weaves the emotions and feelings of insecurity that all of us experience with the freedom that can be achieved from making the decision to take control of one’s own life. Though quite a harrowing tale, this is a story of immense hope, dexterous wit and passionate perseverance with acorns of wisdom that will linger in your mind long after you thought you had gathered them all.

Quotes from start of each Chapter
1. Always take the chance to laugh at your own expense before everyone else does
2. HARD is only Happiness At a Remote Date
3. You can’t be all things to everyone so be something to someone
4. When you make the decision to change you already have
5. No moment can be repeated so I can never make the same mistake twice
6. Humans don’t have eyes on the back of their heads for a reason: you can’t go forward if you are continually looking back
7. Accept the Good for what it is whenever it happens because you will be forced to accept the bad anyway
8. You are not what you eat, You are not what you wear, You are not what you do. You are You.
9. Be honest with yourself: If you want the harsh truth, ask your enemies not your friends.
10. Intelligence has no bearing on your level of happiness because happiness doesn’t have an IQ.
11. What a difference a day can make when you’re not counting the hours.
12. The only questions worth answering are those you ask of yourself.
13. You don’t have to be SOMEBODY to BE somebody.
14. HURT is only Happiness Undoubtedly Returns Tomorrow.
15. If you can’t trust yourself, trust your instincts.
16. You have the same number of hours, minutes and seconds in your day as everyone else: therefore you stand the same chance of achieving happiness.
17. Coincidences are too random for random things to occur.

About the author: Diarmuid Hudner is a farmer's son from Effin, County Limerick., A former Headhunter in the City of London, he was a regular contributor to financial magazines such as the Financial Times, Investment Week and Money Marketing. Upon returning to Ireland, he became the founder and chairman of the Doneraile Literary & Arts Festival, the only free literary festival in Ireland. This is his first novel.
It became apparent to the author whilst writing this book that there was a genuine need to make this fictional website a reality. Thus the website www.imhappynow.com was born. He told me , “ The world today has never in its history been so full yet it is very easy as an individual to feel empty. We are all seeking happiness and by helping each other, we are not alone. This website is a work in progress and will develop organically over time with the help of the readers.”.

The book is available from the website as an eBook or hard copy.

Mattie Lennon

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BFS Newsletter for Scotland (December 2011)
Hello Everyone,
This is our busy season with lots of end of term things for teachers and pupils alike, and hopefully many opportunities to play in public - always very good for us all! Fans of Flutes en Route will be delighted to know that they are appearing in the Usher Hall in January. And proof from Glasgow Amateur Flute Ensemble that fluting is also about giving. Read on for more news…..

Glasgow Amateur Flute Ensemble in Glasgow Cathedral

On Wednesday 7th December, the ensemble were part of a Festive fund raising concert held by the Meningitis Trust in Glasgow Cathedral. A video has been created by an Elder at the Cathedral which can be viewed in your browser here http://vimeo.com/33394692 or, for iPhone or iPad, a special streaming version is at http://www.collie-productions.co.uk/meningitis-trust.html

Fl(ut)ing and Familiar Favourites Scottish flute quartet Flutes en Route will be playing in the Usher Hall, Edinburgh, at 11am on January 10th, as part of the 'Emerging Artists: Sound Check' series at the Usher Hall, in partnership with Live Music Now. Hope to see lots of you there! Pushing the boundaries of the flute quartet, Flutes en Route will present an exciting programme including Fl(ut)ing by Scottish composer Rory Boyle. Alongside this brilliant new work, be prepared to hear some familiar music in ways you have never imagined before.

For more information on Sound Check see http://www.usherhall.co.uk/News/Emerging-Artists-Sound-Check-series.html and to learn more about Flutes en Route, see their website at http://www.flutesenroute.co.uk

Fluting Feedback Required
Member Nikola Kyosev has asked for feedback from fellow flute players on his new recording which can be heard at http://www.youtube.com/watch?v=uewnRbaHGFg. Nikola can be contacted at n.h.kyosev@gmail.com. Listen now and drop him an email, he’d love to hear from you.

Dates for your diary.
The McGoldrick, McCusker and Doyle gig, which was postponed last September at the Tolbooth in Stirling, has now been rescheduled for Friday 17th February at 8.00pm. Tickets are £12 and £10. This is a rare chance to hear three fine musicians with McGoldrick on flutes, whistles and Uilean pipes. See www.johnmccusker.co.uk and www.johndoylemusic.com for more information or Buy tickets now.

Perth Symphony Orchestra are giving a concert in Perth Concert Hall on 26th February 2012. Nielsen's Flute concerto is in the programme with Katherine Bryan as soloist. Other works are Dvorak’s Overture, In Nature's Realm, and Brahms Symphony No 3.

For information on joining the British Flute Society see http://www.bfs.org.uk/membersh.htm

And, believe it or not, this is our twelfth Scottish flute newsletter – a full year of flute news! Thank you very much to the many players who have taken time to let me know they enjoy these little updates, and to those who have shared their news. Do please continue to let me know any flute news.

Wishing you all a very merry flutey Christmas and all the best for a tuneful 2012!

Marysia

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BFS at Glasgow Cathedral


See a video of the concert here

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BFS Newsletter for Scotland (October 2011)
Hello Everyone,
Where has the year gone! I can hardly believe that summer school bookings have opened already for 2012 - see below for details of the Scottish International Summer School, and also Malvern Winds if you’re looking for a wind ensemble course. Places are also still available on our 13th November Aberdeen Flute Day so do please let me know if you’re coming but haven’t booked yet.

Music on the Isles with Glasgow Amateur Flute Ensemble


Glasgow Amateur Flute Ensemble held a residential music workshop in the Cathedral of the Isles on the beautiful Isle of Cumbrae in October. The group took part in a master class covering various flute techniques, followed by smaller section rehearsals. They gave a concert on Saturday evening in the Cathedral, featuring the full ensemble, the afternoon groups and the percussion section playing an unaccompanied piece. Alastair Chisholm, the Cathedral organist, provided accompaniment - on grand piano. On Sunday, the ensemble unveiled their new Contralto flute, pitched at one octave below the Alto G flute, manufactured by Eva Kingma. All in all, a fantastic weekend of music combined with tuition and fun. See http://www.gafe.co.uk to learn more about the Glasgow Amateur Flute Ensemble.


Wissam Boustany launches a new CD

For anyone planning a trip to London in November, Wissam's new double-cd, ‘This Invisible World’ will be available, at a discounted rate of £15, at two recitals within the Wimbledon Music Festival (see http://www.wimbledonmusicfestival.co.uk for more information). Wissam is thrilled to be performing the Claude Bolling Suite with Claude Bolling himself on 14th November. On the following day, he and Aleksander Szram perform works including the Franck Sonata, Edward Gregson's "Aztec Dances", Debussy's "Syrinx" and Wissam's own composition "...And The Wind Whispered...".
If you’re not planning to be in London during November, the CD will be available to purchase online at the Nimbus Alliance website http://www.wyastone.co.uk/nimbus/nimbus-alliance.html and on Wissam's website www.wissamboustany.com

Scottish International Flute Summer School 24th - 30th July 2012

Summer school only seems like five minutes ago, but bookings are open for 2012 in St. Andrews already. For more information see http://www.flutescotland.co.uk for more information about this superb summer school. Come along to meet up with old friends, and make new ones.

Malvern Winds 4th - 11th August 2012
Bookings are also open for Malvern Winds, a summer wind chamber music course in the beautiful Malvern hills at Malvern College. The flute tutor is Lynda Coffin, former principal flute in CBSO and RPO, currently principal flute in the London Concert Orchestra and flute tutor at Trinity College London. This course is run by 'Cuillin Sound' wind trio (Lynda Coffin, Sarah Watts and Laurence Perkins). More details and on-line booking form available at http://www.cuillinsoundmusic.co.uk/CuillinSound/Malvern_Summer_Course.html


And dates for your diary..

Scottish Flute Trio play in Glasgow University on Thursday 10th November at 1pm.
Flutes Unlimited Flute Choir on Sunday 4th December at 7.30 in Shawlands Parish Church, 5 Moss Side Road, Glasgow G41 3TP
For information on joining the British Flute Society see http://www.bfs.org.uk/membersh.htm
Happy fluting, Everyone!
Marysia


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Jane Lockyer Willis


Member of The Society of Women Writers & Journalists.
To see scripts by Jane click here


I trained as a teacher of English, speech and Drama at The Guildhall School of Music & Drama - AGSM LGSM and I'm an Associate of LAMDA. After college, I did some pro acting, amdram and later BBC World Service radio acting (plays) For many years I ran my own company, Speakwell Communications and taught adults speech training and all of that. I have been published main stream: SPEECHES AND PRESENTATIONS and am part author of THE COMPLETE SPEECHMAKER. I continue to act and now write plays.
PEDIGREE


The ‘phone rang. There was an email and a text. They were all from the same woman. She wanted me to get in touch, wanted to meet up, to become part of my life - to see, to feel connected. No, this was not some female nutter, rather a long lost relative. Put another way, a distant cousin I had never met, who now, having surfaced, wanted to unearth and agitate my past.

Florence is into genealogy. Not in a small way either. She is an amateur but I bet she knows every clergyman in England, every graveyard and every register in the land. She must have spent a fortune on the relevant internet sites that require a fiver, a tenner or more, to investigate family trees.

Now, having allowed myself to be drawn into her projects, my phone never stops. At first, I would hide it under a tea cosy, or switch off the ringing tone. But late into the night I would hear it ring in my head. Florence!

I should, I suppose, have told her to clear off, to go and bother another long lost relative. And I would have done, in a polite way, of course, but for one thing. Florence is nice. Not nicey nice, but good, open hearted and generous nice. I like her. And how do you tell someone you like to clear off?

You have to admire her hell bent determination - a resolve to unearth long dead, long forgotten relatives by way of charts and trees. There was a distant Great Uncle Percy, who had twelve siblings. There was my great grandfather’s brother Alban, who opened an orphanage; and way back in the eighteenth century, a swashbuckling pirate who was hanged for mutiny. There were the illegitimate and the married, the good and the not so good; there were the poor and the rich, the long and the short lived. All recorded, all set down, and all brought to light, to my attention, by Florence.

So what if she did wear me down, drink my gin and eat half the contents of the fridge. Didn’t she deserve to? Without her, would I have bothered with ancestry and family trees? Of course not. I had shut the door on my past, and not because I had anything to hide, but simply because I was too lazy to care. My arm chair and Coronation Street beckoned nightly.

Florence has changed all that. I could go as far as to say that Florence has changed my life. I go all over the place now - dig up records, visit museums, pubs, old houses, streets and churches. My arches have dropped with so much walking. But I sleep like a log. I’m as thin as a rake, but I eat like a horse.

Florence continues to drain me. I am worn out from keeping up with her - the charts, the brain work, burning the midnight oil. So what!

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