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Recently Posted Script Swap details
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A Proper Caper And No MistakeDate Req'd: ASAP
I stumbled on an article in 2009 about a play called "A Proper Caper And No Mistake" by Anthea Roberts that was performed by the Buckfastleigh Drama Group. The story sounds absolutely fascinating and I was reaching out to see if there are any hard copies available of the play. Or even a digital copy. I would love to purchase one for reading.
Recently Posted Resources & Links
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PRS for Music
We are a society of songwriters, composers and music publishers. We license organisations to play, perform or make available copyright music on behalf of our members and those of overseas societies, distributing the royalties to them fairly and efficiently. We promote and protect the value of copyright.
Performing rights royalties are paid to a songwriter, composer or publisher whenever their music is played or performed in any public space or place. This includes TV, radio, online, in a shop, an office, pub or restaurant, at a concert, a sporting event and thousands of other places.
MCPS represents our members’ mechanical rights, whenever a piece of music is reproduced as a physical product.
Mechanical rights royalties are different and are paid to the songwriter, composer or publisher when music is reproduced as a physical product or for broadcast or online.
The PRS for Music brand now represents our members’ mechanical rights whenever a piece of music is reproduced for broadcast or online. MCPS will continue to represent the mechanical rights for physical products at this stage.
What’s staying the same?
The Mechanical-Copyright Protection Society will continue to exist as a legal entity, company name and as a brand for physical products’ mechanical rights. Cheques will come from the Mechanical-Copyright Protection Society Limited, you can still send cheques to the Mechanical-Copyright Protection Society Limited and it will continue to be registered at Companies House.
Recently Posted Studio/Rehearsal Facilities
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|Schools Plus based at Virgo Fidelis, Croydon, UK
We have a venue that may be of interest to any groups that want to use it to rehearse or have it as a permanent venue.
Contact: Kevin Jones email@example.com
Recently Posted Scripts & Playwrights
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Here are details of all my plays, which are available to drama groups. Any of them can be e-mailed on request to groups by contacting me at firstname.lastname@example.org
I am a native of Co Waterford, but currently live in Hastings UK
My website is www.gorgeousgael.com
www.kathykirby.info (production details)
MONEY FROM AMERICA – The Tabard, Pentameters, Old Red Lion
JOHNJO – Kings Head, The Old Red Lion, Buxton, Touring.
CRICKLEWOOD COWBOYS (as BOTTOM DOG) - The Tabard. London
JACK DOYLE- GORGEOUS GAEL - Kings Head London
BEHAN’S WOMEN – Pentameters theatre London
ON RAGLAN ROAD – Old Red Lion – New York – Irish Tour.
PUT YOUR SWEET LIPS…
THE MISSING POSTMAN
OF MICE AND MEN (adaption)
FRIGHTENING THE CROWS
DOWN BOTTLE ALLEY-White Rock, Hastings, Irish Centre, Camden (published by Circaidy Gregory Press 2010)
KAVANAGH - Irish Tour, Winnipeg
I’LL TELL ME MA… Irish Club, London, Pentameters, London
OLIVER CROMWELL’S TOUR OF IRELAND Courtyard, N1 LONDON
FALLING FROM GRACE ( the life/times of Shane MacGowan of The Pogues)
KATHY KIRBY – ICON (Etcetera Theatre, Camden, The White Bear, Kennington
PECKER DUNNE – LAST OF THE TRAVELLERS
MISS WHIPLASH REGRETS…
NO BLACKS, NO DOGS, NO POLES Pentameters London
GILMARTIN - the greed and corruption at the heart of Irish politics
Recently Posted Auditions
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The Mill Arts Centre, Banbury, Oxfordshire
Open Auditions for The Crucible
For further information (or if you are interested but cannot attend the above audition) please contact Director, Chrissie Garrett on 01295 810412, 0755 723144 or email@example.com
There will be a read through at The Mill Arts Centre, Banbury on 7 June 2016 at 8pm – all welcome.
Open Auditions are on Thursday 30 June 2016, 7.30pm, also at The Mill Arts Centre.
Performance dates are 2-5 November 2016 at The Mill Arts Centre. You do not have to be a member to audition but will be required to join if cast. Rehearsals will be on Monday and Wednesday evenings, commencing 1 August 2016 (consideration will be given for holidays already booked).
Banbury Cross Players announce Open Auditions for their forthcoming production of Arthur Miller’s challenging play, “The Crucible”.
Focussing on the fate of those caught up in the persecution surrounding the 1692 Salem witch trials and originally reflecting Senator McCarthy’s hunt for Communists in 1950s America, its meaning (says Miller) “is somewhat different in different places and moments”. Director, Chrissie Garrett’s vision centres on the themes of hysteria, fear of differences, and hunting out those who think differently, staging the play in modern dress and in a timeless fashion.
Roles available are as follows:Reverend Hale Minister; initially full of conviction and authority, determined to pursue witchcraft but ending the play with sympathy for the accused (any age)
Reverend Parris Selfish, concerned with power and position; not a spiritual man (any age)
Danforth Deputy Governor; powerful character- judge, jury and executioner (any age)
Giles Corey Brave, loyal, and shows moral courage in the face of torture and accusations
Thomas Putnam Bitter, vindictive, narrow-minded, bearing grievances against the people of Salem (40-60 yrs)
Abigail Williams Strong, manipulative, arrogant, quick witted, dominant and very attractive
Elizabeth Proctor Fiercely loyal wife, calm, unshakable religious belief; cold initially but changes to show love and compassion (40-60 yrs)
Mary Warren Serving girl, easily influenced, subservient, lonely, afraid of Abigail, tries to stand up for herself (16-18 yrs)
Rebecca Nurse Strong character with moral courage, almost saintly (70 yrs)
Mrs Putnam Narrow minded, bitter, vindictive and petty minded (40-60 yrs)
There is an excellent opportunity for four younger actresses (16-20 yrs) to play the roles of Betty, Susanna, Mercy, and the important role of Tituba the slave.
Other smaller/doubled male and female parts are also available.
Recently Posted on the NoticeBoard
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Ch4 are looking for a foodie loving male 50 - 65 yrs to go on a date with a lady in the First Dates restaurant!
Posted on 26/05/2016
Recently Posted Articles
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|The Pride of Teesside
Author: Norma Phillips
Teesside Musical Theatre Company
A follow up to my article "Family Matters" to highlight the impact of one particular family dedicated to keeping Teesside Musical Theatre Company alive.
The Pride of Teesside
Following my article, “Family Matters”, which was posted on this website recently, I was inspired to disclose more about the family values that have been an integral part of Teesside Musical Theatre Company for decades. I originally intended to make specific reference to several of the families involved, but I realised this would probably just become a long list of names, and I could also be in danger of excluding someone.
I, therefore, decided to focus on our Producer, Alison Dale, whose family has been a part of Teesside Musical Theatre Company (previously known as Teesside Operatic Society) for most of its existence. Kath Dawson, Alison’s mother, was a leading lady for many years before retiring from the stage to take over as Business Manager and Wardrobe Mistress. Alison and her sisters were, therefore, brought up in the amateur theatre world, and Alison naturally started to take on leading roles from an early age.
In recent years, Alison decided that, as well as acting in productions, she would like to use her extensive experience to produce shows for Teesside Musical Theatre Company. This revealed that Alison has an amazing talent for visualisation, creating a masterpiece as an artist would with paints and canvas. The cast and crew can always be confident that following Alison’s direction will result in another spellbinding production that we can all be proud of. It is a joy to be part of the process, and it is heartwarming when Alison thanks the cast and crew for making her visions into a reality. She always expresses her appreciation and pride and commands the respect of all involved.
With the help of Stockton Stage Society, Alison introduced the use of back projection with minimalist sets, which makes scene changes so fluid and seamless, to great effect. I particularly remember our production of “The Sound of Music” when Maria changed from being a nun in the Mother Superior’s Office to walking through the streets clutching her guitar and suitcase, arriving at the von Trapp mansion, without leaving the stage (using a screen to allow her to change costume)! In “The Producers” Max Bialystock is transported from a prison cell to Broadway theatre land with minimal set changes.
Posted on 06/12/2015
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Recently Posted Group Details
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Pembrokeshire, West Wales
Saundersfoot Footlights is an amateur musical theatre society in Pembrokeshire, West Wales.
Recently Posted Events
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Contact: Call 0115 941 9419 to reserve your free tickets for #PTReadsLIVE @neatfestival @NottmPlayhouse
PTReadsLIVE as part of the NEAT Festival
2.30pm & 6pm Fri 3rd June
Recently Posted Music Services, Music Swap
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Good Old Days
Dates Required: Late Autumn 2016
Please please please. Pianist wanted for Late Autumn for Victorian Singsong "Good Old Days" performance. Please get in touch - our performance depends on YOU. :¬) Thankyou ever so much.
Recently Posted Shows
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Venue: West Cliff Theatre, Clacton-on-SeaBox Office: www.westcliffclacton.co.uk
Tickets from £9
Par For The Course
Author: a comedy by Peter Gordon, directed by Alex Bass
Weds 8th – Sat 11th June 2016
Captain’s Day at the Seven Lakes Golf Club gets off to a bad start when the men’s Captain is indisposed. Club secretary, Simon, relishes the chance to take over but is soon thwarted by the arrival of Vice Captain, Nick and his girlfriend, Tiffany. Lady Captain, Fran, and enthusiastic but hopeless Barry add to the confusion as a series of disasters mount. With the unexpected arrival of Simon’s wife, Laura, tensions build and things go from bad to worse.|
Set on the club house patio, the characters soon discover that personal relationships OFF the course are more dangerous than the hazards ON the course!
Love or loathe golf, it will never seem quite the same again!
Latest from our Advice Column
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Recent Post from one of our readers - 02/05/2016
Name: Lorna Baillie
email address: firstname.lastname@example.org - Click here
I wondered if anyone else has been receiving similar emails to the following:-
“I came across your email address at (http://www.dramagroups.com/) and I would so much like us to be friends. I have something important to discuss with you.
I have received more than one, and identical to the above, from apparently different people.
Durham Dales Festival of Performing Arts
I’m sorry you have been bothered with spam email, please rest assured that it is nothing to do with www.dramagroups.com. We would not email such a thing to you and would not / have not released email addresses to anyone. The only way that these people could have picked up your email address is by trawling the www.dramagroups.com website. If you would like me to remove your email address from our website just let me know and I’ll take it down.
It is unfortunate that people abuse the email system in this way as it is the easiest way for genuine people to get in touch if they do not use social media.
I’ll put your comments up in our #Advice section along with my reply and ask our visitors for comments.
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Click here for a full list of Reviews
NODA Review 15 April 2016
Wilburton Theatre Group
Directed by Emily Starr
Assistant Director Bryannie Quarrie
Musical Director Maria McElroy
|Big Fish 12-chair is the new, small-cast version for 12 actors of a short-lived Broadway musical featuring music and lyrics by Andrew Lippa based on the novel by Daniel Wallace and follows on from the Tim Burton’s film of the same name.
At the centre of the story is Edward Bloom the main character, who is on his deathbed and reliving his “exaggerated” tales of life. Fish stories are the tales Edward tells his son, Will and are, of course, what “Big Fish” is all about. I’m telling you all this because Big Fish was a new one on me.
Apparently “the musical has elements from the book and movie, as well as a few new takes on characters and situations”, and who am I to dispute that, never having seen either? What I do know is, it is a great show: full of lovely songs and tunes: lively and at times sentimental.
Much of the music is complex but the singers and The Ashton Stomp Octet under the musical direction of Maria McElroy did a splendid job. Excellent choreography too by Emily Starr and Guest Choreographer David Mallabone.
This role of Edward, teller of fishy-tales was tailor-made for Tim Meikle who was absolutely outstanding, producing a performance full of energy and skill with the good vocal talent.
Laura Bryant played Sandra his wife giving an excellent performance topped off with a lovely voice. I Don’t Need a Roof was beautiful. Edward and Sandra’s love story is brought to life through a multitude of ages, from 15 to 50, as the story moves from present-day to past and back again.
Edward tells Will about how, as a teenager, he met a Witch, played by Shelley Martin who has an amazing voice. About the time he faced down a Giant, confidently played from great height by Aiden Roe who was terrorising his small Alabama hometown. And the story of how he met Will’s mother, Sandra at the circus.
We enjoyed fine performances from Aidan Meikle, following in family tradition as Young Will and Josh Greene as grown up Will, who is now about to become a father himself with wife Josephine played well by Becky Gilbert. There was nice empathy between this couple.
Apart from Edward, Sandra and grown-up Will, the other nine actors, doubled as school friends fishermen, wedding guests, circus performers, and college students, zipping in and out of the firstrate costumes with aplomb. Every single member of cast gave unstinting commitment to the production.
Barry Starr’s set was impressive having multiple functions, swiftly transforming into a bedroom, a hospital, a circus, a cave, a meadow . . . the possibilities appeared endless. There was even a river through which a mermaid “swam”. Great stuff. Well done too to the whole technical team.
Sound and Lighting were spot on cue the whole time. Hair, Make-up, Costumes, Props and the lovely daffodil backdrop looked great and the scene changes exceptionally swift.
The matter of facing up to one’s own mortality and the subsequent funeral was well handled.
Emotive without being morbid. Part of this, of course, would be in the writing but the Director has to bring it to fruition and here Director Emily Starr did a great job.
Wilburton Theatre Group can always be relied on to offer their public something different and this show was just that. It overflowed with humour, emotion, lively performances and excellent singing.
It is a show which reminds one why we love going to the theatre.
NODA Review 15 April 2016
NODA East District Four South.
Posted on 02/05/2016